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PAGE 14

The Murders in the Rue Morgue
by [?]

“The next question is that of the mode of descent. Upon this point I had been satisfied in my walk with you around the building. About five feet and a half from the casement in question there runs a lightning-rod. From this rod it would have been impossible for any one to reach the window itself, to say nothing of entering it. I observed, however, that the shutters of the fourth story were of the peculiar kind called by Parisian carpenters ferrades— a kind rarely employed at the present day, but frequently seen upon very old mansions at Lyons and Bourdeaux. They are in the form of an ordinary door, (a single, not a folding door) except that the lower half is latticed or worked in open trellis — thus affording an excellent hold for the hands. In the present instance these shutters are fully three feet and a half broad. When we saw them from the rear of the house, they were both about half open — that is to say, they stood off at right angles from the wall. It is probable that the police, as well as myself, examined the back of the tenement; but, if so, in looking at these ferradesin the line of their breadth (as they must have done), they did not perceive this great breadth itself, or, at all events, failed to take it into due consideration. In fact, having once satisfied themselves that no egress could have been made in this quarter, they would naturally bestow here a very cursory examination. It was clear to me, however, that the shutter belonging to the window at the head of the bed, would, if swung fully back to the wall, reach to within two feet of the lightning-rod. It was also evident that, by exertion of a very unusual degree of activity and courage, an entrance into the window, from the rod, might have been thus effected. — By reaching to the distance of two feet and a half (we now suppose the shutter open to its whole extent) a robber might have taken a firm grasp upon the trellis-work. Letting go, then, his hold upon the rod, placing his feet securely against the wall, and springing boldly from it, he might have swung the shutter so as to close it, and, if we imagine the window open at the time, might even have swung himself into the room.

“I wish you to bear especially in mind that I have spoken of a veryunusual degree of activity as requisite to success in sohazardous and so difficult a feat. It is my design to show you, first, that the thing might possibly have been accomplished: — but, secondly and chiefly, I wish to impress upon your understanding the very extraordinary— the almost præternatural character of that agility which could have accomplished it.

“You will say, no doubt, using the language of the law, that ‘to make out my case,’ I should rather undervalue, than insist upon a full estimation of the activity required in this matter. This may be the practice in law, but it is not the usage of reason. My ultimate object is only the truth. My immediate purpose is to lead you to place in juxta-position, that very unusualactivity of which I have just spoken, with that very peculiarshrill (or harsh) and unequalvoice, about whose nationality no two persons could be found to agree, and in whose utterance no syllabification could be detected.”

At these words a vague and half-formed conception of the meaning of Dupin flitted over my mind. I seemed to
be upon the verge of comprehension, without power to comprehend — as men, at times, find themselves upon the brink of remembrance, without being able, in the end, to remember. My friend went on with his discourse.