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Thereafter all was peace. The road led downwards into a broadening valley, where the smell of flowers came about me, and the mountain walls withdrew and were no longer overwhelming. The slope eased off, dipping and rising no more than a ground swell; and by-and-by I was on a level track that ran straight as a stretched ribbon and was reasonable to my tired feet.

Now the first dusky chalets of the hamlet of Bel-Oiseau straggled towards me, and it was music in my ears to hear the cattle blow and rattle in their stalls under the sleeping lofts as I passed outside in the moonlight. Five minutes more, and the great zinc onion on the spire of the church glistened towards me, and I was in the heart of the silent village.

From the deep green shadow cast by the graveyard wall, heavily buttressed against avalanches, a form wriggled out into the moonlight and fell with a dusty thud at my feet, mowing and chopping at the air with its aimless claws. I started back with a sudden jerk of my pulses. The thing was horrible by reason of its inarticulate voice, which issued from the shapeless folds of its writhings like the wet gutturizing of a back-broken horse. Instinct with repulsion, I stood a moment dismayed, when light flashed from an open doorway a dozen yards further down the street, and a woman ran across to the prostrate form.

“Up, graceless one!” she cried; “and carry thy seven devils within doors!”

The figure gathered itself together at her voice, and stood in an angle of the buttresses quaking and shielding its eyes with two gaunt arms.

“Can I not exchange a word with Mere Pettit,” scolded the woman, “but thou must sneak from behind my back on thy crazed moon-hunting?”

“Pity, pity,” moaned the figure; and then the woman noticed me, and dropped a curtsy.

“Pardon,” she said; “but he has been affronting Monsieur with his antics?”

“He is stricken, Madame?”

“Ah, yes, Monsieur. Holy Mother, but how stricken!”

“It is sad.”

“Monsieur knows not how sad. It is so always, but most a great deal when the moon is full. He was a good lad once.”

Monsieur puts his hand in his pocket. Madame hears the clink of coin and touches the enclosed fingers with her own delicately. Monsieur withdraws his hand empty.

“Pardon, Madame.”

“Monsieur has the courage of a gentleman. Come, Camille, little fool! a sweet good-night to Monsieur.”

“Stay, Madame. I have walked far and am weary. Is there an hotel in Bel-Oiseau?”

“Monsieur is jesting. We are but a hundred of poor chalets.”

“An auberge, then–a cabaret–anything?”

” Les Trois Chevres. It is not for such as you.”

“Is it, then, that I must toil onwards to Chatelard?”

“Monsieur does not know? The Hotel Royal was burned to the walls six months since.”

“It follows that I must lie in the fields.”

Madame hesitates, ponders, and makes up her mind.

“I keep Monsieur talking, and the night wind is sharp from the snow. It is ill for a heated skin, and one should be indoors. I have a bedroom that is at Monsieur’s disposition, if Monsieur will condescend?”

Monsieur will condescend. Monsieur would condescend to a loft and a truss of straw, in default of the neat little chilly chamber that is allotted him, so sick are his very limbs with long tramping, and so uninviting figures the further stretch in the moonlight to Chatelard, with its burnt-out carcase of an hotel.

This is how I came to quarter myself on Madame Barbiere and her idiot son, and how I ultimately learned from the lips of the latter the strange story of his own immediate fall from reason and the dear light of intellect.

* * * * *

By day Camille Barbiere proved to be a young man, some five and twenty years of age, of a handsome and impressive exterior. His dark hair lay close about his well-shaped head; his features were regular and cut bold as an Etruscan cameo; his limbs were elastic and moulded into the supple finish of one whose life has not been set upon level roads. At a speculative distance he appeared a straight specimen of a Burgundian youth–sinewy, clean-formed, and graceful, though slender to gauntness; and it was only on nearer contact that one marvelled to see the soul die out of him, as a face set in the shadow of leafage resolves itself into some accident of twisted branches as one approaches the billowing tree that presented it.