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PAGE 3

The Mistress Of Sydenham Plantation
by [?]

“I t’ought she done fo’git ebryt’ing,” groaned Peter again. “O Lord, hab mercy on ole mis’!”

The landing-place on Ladies’ Island was steep and sandy, and the oarsman watched Peter help the strange passenger up the ascent with a sense of blessed relief. He pushed off a little way into the stream, for better self-defense. At the top of the bluff was a rough shed, built for shelter, and Peter looked about him eagerly, while his mistress stood, expectant and imperious, in the shade of a pride of India tree, that grew among the live-oaks and pines of a wild thicket. He was wretched with a sense of her discomfort, though she gave no sign of it. He had learned to know by instinct all that was unspoken. In the old times she would have found four oarsmen waiting with a cushioned boat at the ferry; she would have found a saddle-horse or a carriage ready for her on Ladies’ Island for the five miles’ journey, but the carriage had not come. The poor gray-headed old man recognized her displeasure. He was her only slave left, if she did but know it.

“Fo’ Gord’s sake, git me some kin’ of a cart. Ole mis’, she done wake up and mean to go out to Syd’n’am dis day,” urged Peter. “Who dis hoss an’ kyart in de shed? Who make dese track wid huffs jus’ now, like dey done ride by? Yo’ go git somebody fo’ me, or she be right mad, shore.”

The elderly guardian of the shed, who was also of the old regime, hobbled away quickly, and backed out a steer that was broken to harness, and a rickety two-wheeled cart. Their owner had left them there for some hours, and had crossed the ferry to Beaufort. Old mistress must be obeyed, and they looked toward her beseechingly where she was waiting, deprecating her disapproval of this poor apology for a conveyance. The lady long since had ceased to concern herself with the outward shapes of things; she accepted this possibility of carrying out her plans, and they lifted her light figure to the chair, in the cart’s end, while Peter mounted before her with all a coachman’s dignity,–he once had his ambitions of being her coachman,–and they moved slowly away through the deep sand.

“My Gord A’mighty, look out fo’ us now,” said Peter over and over. “Ole mis’, she done fo’git, good Lord, she done fo’git how de Good Marsa up dere done took f’om her ebryt’ing; she ‘spect now she find Syd’n’am all de same like’s it was ‘fo’ de war. She ain’t know ’bout what’s been sence day of de gun-shoot on Port Royal and dar-away. O Lord A’mighty, yo’ know how yo’ stove her po’ head wid dem gun-shoot; be easy to ole mis’.”

But as Peter pleaded in the love and sorrow of his heart, the lady who sat behind him was unconscious of any cause for grief. Some sweet vagaries in her own mind were matched to the loveliness of the day. All her childhood, spent among the rustic scenes of these fertile Sea Islands, was yielding for her now an undefined pleasantness of association. The straight-stemmed palmettos stood out with picturesque clearness against the great level fields, with their straight furrows running out of sight. Figures of men and women followed the furrow paths slowly; here were men and horses bending to the ploughshare, and there women and children sowed with steady hand the rich seed of their crops. There were touches of color in the head kerchiefs; there were sounds of songs as the people worked,–not gay songs of the evening, but some repeated line of a hymn, to steady the patient feet and make the work go faster,–the unconscious music of the blacks, who sing as the beetle drones or the cricket chirps slowly under the dry grass. It had a look of permanence, this cotton-planting. It was a thing to paint, to relate itself to the permanence of art, an everlasting duty of mankind; terrible if a thing of force, and compulsion and for another’s gain, but the birthright of the children of Adam, and not unrewarded nor unnatural when one drew by it one’s own life from the earth.