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“How can I betray my only true friend?” asked the unfortunate duke, with touching pathos.

His faithfulness was not appreciated by the emperor and his nobles. They placed Ernst under the ban of the empire, and thus deprived him of rank, wealth, and property, reducing him by a word from high estate to abject beggary. His life and liberty were left him, but nothing more, and, driven by despair, he sought the retreat of his fugitive friend Werner, who had taken refuge in the depths of the Black Forest.

Here the two outlaws, deprived of all honest means of livelihood, became robbers, and entered upon a life of plunder, exacting contributions from all subjects of the empire who fell into their hands. They soon found a friend in Adalbert of Falkenstein, who gave them the use of his castle as a stronghold and centre of operations, and joined them with his followers in their freebooting raids.

For a considerable time the robber chiefs maintained themselves in their new mode of life, sallying from the castle, laying the country far and wide under contribution, and returning to the fortress for safety from pursuit. Their exactions became in time so annoying, that the castle was besieged by a strong force of Swabians, headed by Count Mangold of Veringen, and the freebooters were closely confined within their walls. Impatient of this, a sally in force was made by the garrison, headed by the two robber chiefs, and an obstinate contest ensued. The struggle ended in the death of Mangold on the one side and of Ernst and Werner on the other, with the definite defeat and dispersal of the robber band.

Thus ended an interesting episode of mediaeval German history. But the valor and misfortunes of Duke Ernst did not die unsung. He became a popular hero, and the subject of many a ballad, in which numerous adventures were invented for him during his career as an opponent of the emperor and an outlaw in the Black Forest. For the step-son of an emperor to be reduced to such a strait was indeed an event likely to arouse public interest and sympathy, and for centuries the doings of the robber duke were sung.

In the century after his death the imagination of the people went to extremes in their conception of the adventures of Duke Ernst, mixing up ideas concerning him with fancies derived from the Crusades, the whole taking form in a legend which is still preserved in the popular ballad literature of Germany. This strange conception takes Ernst to the East, where he finds himself opposed by terrific creatures in human and brute form, they being allegorical representations of his misfortunes. Each monster signifies an enemy. He reaches a black mountain, which represents his prison. He is borne into the clouds by an old man; this is typical of his ambition. His ship is wrecked on the Magnet mountain; a personification of his contest with the emperor. The nails fly out of the ship and it falls to pieces; an emblem of the falling off of his vassals. There are other adventures, and the whole circle of legends is a curious one, as showing the vagaries of imagination, and the strong interest taken by the people in the fortunes and misfortunes of their chieftains.