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PAGE 3

The Man At The Semaphore
by [?]

But when the cabin was completed, it was evident from what he saw of its rude structure that it was only a temporary shelter for the fisherman’s family and the stores, and refitting of the fishing-boat, more convenient to them than the San Francisco wharves. The beach was utilized for the mending of nets and sails, and thus became half picturesque. In spite of the keen northwestern trades, the cloudless, sunshiny mornings tempted these southerners back to their native al fresco existence; they not only basked in the sun, but many of their household duties, and even the mysteries of their toilet, were performed in the open air. They did not seem to care to penetrate into the desolate region behind them; their half-amphibious habit kept them near the water’s edge, and Richard Jarman, after taking his limited walks for the first few mornings in another direction, found it no longer necessary to avoid the locality, and even forgot their propinquity.

But one morning, as the fog was clearing away and the sparkle of the distant sea was beginning to show from his window, he rose from his belated breakfast to fetch water from the “breaker” outside, which had to be replenished weekly from Sancelito, as there was no spring in his vicinity. As he opened the door, he was inexpressibly startled by the figure of a young woman standing in front of it, who, however, half fearfully, half laughingly withdrew before him. But his own manifest disturbance apparently gave her courage.

“I jess was looking at that thing,” she said bashfully, pointing to the semaphore.

He was still more astonished, for, looking at her dark eyes and olive complexion, he had expected her to speak Italian or broken English. And, possibly because for a long time he had seen and known little of women, he was quite struck with her good looks. He hesitated, stammered, and then said:–

“Won’t you come in?”

She drew back still farther and made a rapid gesture of negation with her head, her hand, and even her whole lithe figure. Then she said, with a decided American intonation:–

“No, sir.”

“Why not?” said Jarman mechanically.

The girl sidled up against the cabin, keeping her eyes fixed on Jarman with a certain youthful shrewdness.

“Oh, you know!” she said.

“I really do not. Tell me why.”

She drew herself up against the wall a little proudly, though still youthfully, with her hands behind her.

“I ain’t that kind of girl,” she said simply.

The blood rushed to Jarman’s checks. Dissipated and abandoned as his life had been, small respecter of women as he was, he was shocked and shamed. Knowing too, as he did, how absorbed he was in other things, he was indignant, because not guilty.

“Do as you please, then,” he said shortly, and reentered the cabin. But the next moment he saw his error in betraying an irritation that was open to misconstruction. He came out again, scarcely looking at the girl, who was lounging away.

“Do you want me to explain to you how the thing works?” he said indifferently. “I can’t show you unless a ship comes in.”

The girl’s eyes brightened softly as she turned to him.

“Do tell me,” she said, with an anticipatory smile and flash of white teeth. “Won’t you?”

She certainly was very pretty and simple, in spite of her late speech. Jarman briefly explained to her the movements of the semaphore arms and their different significance. She listened with her capped head a little on one side like an attentive bird, and her arms unconsciously imitating the signs. Certainly, for all that she SPOKE like an American, her gesticulation was Italian.

“And then,” she said triumphantly when he paused, “when the sailors see that sign up they know they are coming in the harbor.”

Jarman smiled, as he had not smiled since he had been there. He corrected this mistake of her eager haste to show her intelligence, and, taking the telescope, pointed out the other semaphore,–a thin black outline on a distant inland hill. He then explained how HIS signs were repeated by that instrument to San Francisco.