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The pretty little theatre attached to the building of the Unicorn Club had been hired for a certain January afternoon by Mr. Herbert Loring, who wished to give therein a somewhat novel performance, to which he had invited a small audience consisting entirely of friends and acquaintances. Loring was a handsome fellow about thirty years old, who had travelled far and studied much. He had recently made a long sojourn in the far East, and his friends had been invited to the theatre to see some of the wonderful things he had brought from that country of wonders. As Loring was a club-man, and belonged to a family of good social standing, his circle of acquaintances was large, and in this circle a good many unpleasant remarks had been made regarding the proposed entertainment–made, of course, by the people who had not been invited to be present. Some of the gossip on the subject had reached Loring, who did not hesitate to say that he could not talk to a crowd, and that he did not care to show the curious things he had collected to people who would not thoroughly appreciate them. He had been very particular in regard to his invitations. At three o’clock on the appointed afternoon nearly all the people who had been invited to the Unicorn Theatre were in their seats. No one had stayed away except for some very good reason, for it was well known that if Herbert Loring offered to show anything it was worth seeing. About forty people were present, who sat talking to one another, or admiring the decoration of the theatre. As Loring stood upon the stage–where he was entirely alone, his exhibition requiring no assistants–he gazed through a loophole in the curtain upon a very interesting array of faces. There were the faces of many men and women of society, of students, of workers in various fields of thought, and even of idlers in all fields of thought; but there was not one which indicated a frivolous or listless disposition. The owners of those faces had come to see something, and they wished to see it. For a quarter of an hour after the time announced for the opening of the exhibition Loring peered through the hole in the curtain, and then, although all the people he had expected had not arrived, he felt it would not do for him to wait any longer. The audience was composed of well-bred and courteous men and women, but despite their polite self-restraint Loring could see that some of them were getting tired of waiting. So, very reluctantly, and feeling that further delay was impossible, he raised the curtain and came forward on the stage. Briefly he announced that the exhibition would open with some fireworks he had brought from Corea. It was plain to see that the statement that fireworks were about to be set off on a theatre stage, by an amateur, had rather startled some of the audience, and Loring hastened to explain that these were not real fireworks, but that they were contrivances made of colored glass, which were illuminated by the powerful lens of a lantern which was placed out of sight, and while the apparent pyrotechnic display would resemble fireworks of strange and grotesque designs, it would be absolutely without danger. He brought out some little bunches of bits of colored glass, hung them at some distance apart on a wire which was stretched across the stage just high enough for him to reach it, and then lighted his lantern, which he placed in one of the wings, lowered all the lights in the theatre, and began his exhibition. As Loring turned his lantern on one of the clusters of glass lenses, strips, and points, and, unseen himself, caused them to move by means of long cords attached, the effects were beautiful and marvellous. Little wheels of colored fire rapidly revolved, miniature rockets appeared to rise a few feet and to explode in the air, and while all the ordinary forms of fireworks were produced on a diminutive scale, there were some effects that were entirely novel to the audience. As the light was turned successively upon one and another of the clusters of glass, sometimes it would flash along the whole line so rapidly that all the various combinations of color and motion seemed to be combined in one, and then for a time each particular set of fireworks would blaze, sparkle, and coruscate by itself, scattering particles of colored light as if they had been real sparks of fire. This curious and beautiful exhibition of miniature pyrotechnics was extremely interesting to the audience, who gazed upward with rapt and eager attention at the line of wheels, stars, and revolving spheres. So far as interest gave evidence of satisfaction, there was never a better satisfied audience. At first there had been some hushed murmurs of pleasure, but very soon the attention of every one seemed so completely engrossed by the dazzling display that they simply gazed in silence. For twenty minutes or longer the glittering show went on, and not a sign of weariness or inattention was made by any one of the assembled company. Then gradually the colors of the little fireworks faded, the stars and wheels revolved more slowly, the lights in the body of the theatre were gradually raised, and the stage curtain went softly down. Anxiously, and a little pale, Herbert Loring peered through the loophole in the curtain. It was not easy to judge of the effects of his exhibition, and he did not know whether or not it had been a success. There was no applause, but, on the other hand, there was no signs that any one resented the exhibition as a childish display of colored lights. It was impossible to look upon that audience without believing that they had been thoroughly interested in what they had seen, and that they expected to see more. For two or three minutes Loring gazed through his loophole, and then, still with some doubt in his heart, but with a little more color in his checks, he prepared for the second part of his performance. At this moment there entered the theatre, at the very back of the house, a young lady. She was handsome and well dressed, and as she opened the door–Loring had employed no ushers or other assistants in this little social performance–she paused for a moment and looked into the theatre, and then noiselessly stepped to a chair in the back row and sat down. This was Edith Starr, who, a month before, had been betrothed to Herbert Loring. Edith and her mother had been invited to this performance, and front seats had been reserved for them, for each guest had received a numbered card. But Mrs. Starr had a headache, and could not go out that afternoon, and for a time her daughter had thought that she, too, must give up the pleasure Loring had promised her, and stay with her mother. But when the elder lady dropped into a quiet sleep, Edith thought that, late as it was, she would go by herself, and see what she could of the performance. She was quite certain that if her presence were known to Loring he would stop whatever he was doing until she had been provided with a seat which he thought suitable for her, for he had made a point of her being properly seated when he gave the invitations. Therefore, being equally desirous of not disturbing the performance and of not being herself conspicuous, she sat behind two rather large men, where she could see the stage perfectly well, but where she herself would not be likely to be seen. In a few moments the curtain rose, and Loring came forward, carrying a small, light table, which he placed near the front of the stage, and for a moment stood quietly by it. Edith noticed upon his face the expression of uncertainty and anxiety which had not yet left it. Standing by the side of the table, and speaking very slowly, but so clearly that his words could be heard distinctly in all parts of the room, he began some introductory remarks regarding the second part of his performance. “The extraordinary, and I may say marvellous, thing which I am about to show you,” he said, “is known among East Indian magicians as the magic egg. The exhibition is a very uncommon one, and has seldom been seen by Americans or Europeans, and it was by a piece of rare good fortun
e that I became possessed of the appliances necessary for this exhibition. They are indeed very few and simple, but never before, to the best of my knowledge and belief, have they been seen outside of India. “I will now get the little box which contains the articles necessary for this magical performance, and I will say that if I had time to tell you of the strange and amazing adventure which resulted in my possession of this box, I am sure you would be as much interested in that as I expect you to be in the contents of the box. But in order that none of you may think this is an ordinary trick, executed by means of concealed traps or doors, I wish you to take particular notice of this table, which is, as you see, a plain, unpainted pine table, with nothing but a flat top, and four straight legs at the corners. You can see under and around it, and it gives no opportunity to conceal anything.” Then, standing for a few moments as if he had something else to say, he turned and stepped toward one of the wings. Edith was troubled as she looked at her lover during these remarks. Her interest was great, greater, indeed, than that of the people about her, but it was not a pleasant interest. As Loring stopped speaking, and looked about him, there was a momentary flush on his face. She knew this was caused by excitement, and she was pale from the same cause. Very soon Loring came forward, and stood by the table. “Here is the box,” he said, “of which I spoke, and as I hold it up I think you all can see it. It is not large, being certainly not more than twelve inches in length and two deep, but it contains some very wonderful things. The outside of this box is covered with delicate engraving and carving which you cannot see, and these marks and lines have, I think, some magical meaning, but I do not know what it is. I will now open the box and show you what is inside. The first thing I take out is this little stick, not thicker than a lead-pencil, but somewhat longer, as you see. This is a magical wand, and is covered with inscriptions of the same character as those on the outside of the box. The next thing is this little red bag, well filled, as you see, which I shall put on the table, for I shall not yet need it. “Now I take out a piece of cloth which is folded into a very small compass, but as I unfold it you will perceive that it is more than a foot square, and is covered with embroidery. All those strange lines and figures in gold and red, which you can plainly see on the cloth as I hold it up, are also characters in the same magic language as those on the box and wand. I will now spread the cloth on the table, and then take out the only remaining thing in the box, and this is nothing in the world but an egg–a simple, ordinary hen’s egg, as you all see as I hold it up. It may be a trifle larger than an ordinary egg, but then, after all, it is nothing but a common egg–that is, in appearance. In reality it is a good deal more. “Now I will begin the performance.” And as he stood by the back of the table, over which he had been slightly bending, and threw his eyes over the audience, his voice was stronger, and his face had lost all its pallor. He was evidently warming up with his subject. “I now take up this wand,” he said, “which, while I hold it, gives me power to produce the phenomena which you are about to behold. You may not all believe that there is any magic whatever about this little performance, and that it is all a bit of machinery; but whatever you may think about it, you shall see what you shall see. “Now with this wand I gently touch this egg which is lying on the square of cloth. I do not believe you can see what has happened to this egg, but I will tell you. There is a little line, like a hair, entirely around it. Now that line has become a crack. Now you can see it, I know. It grows wider and wider! Look! The shell of the egg is separating in the middle. The whole egg slightly moves. Do you notice that? Now you can see something yellow showing itself between the two parts of the shell. See! It is moving a good deal, and the two halves of the shell are separating more and more. And now out tumbles this queer little object. Do you see what it is? It is a poor, weak, little chick, not able to stand, but alive–alive! You can all perceive that it is alive. Now you can see that it is standing on its feet, feebly enough, but still standing. “Behold, it takes a few steps! You cannot doubt that it is alive, and came out of that egg. It is beginning to walk about over the cloth. Do you notice that it is picking the embroidery?