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He made no response, kept his position stupidly, and left me staring about the room. It spoke most plaintively for itself. Shabby, sordid, naked, it contained, beyond the wretched bed, but the scantiest provision for personal comfort. It was bedroom at once and studio–a grim ghost of a studio. A few dusty casts and prints on the walls, three or four old canvases turned face inward, and a rusty-looking colour-box, formed, with the easel at the window, the sum of its appurtenances. The place savoured horribly of poverty. Its only wealth was the picture on the easel, presumably the famous Madonna. Averted as this was from the door, I was unable to see its face; but at last, sickened by the vacant misery of the spot, I passed behind Theobald, eagerly and tenderly. I can hardly say that I was surprised at what I found–a canvas that was a mere dead blank, cracked and discoloured by time. This was his immortal work! Though not surprised, I confess I was powerfully moved, and I think that for five minutes I could not have trusted myself to speak. At last my silent nearness affected him; he stirred and turned, and then rose and looked at me with a slowly kindling eye. I murmured some kind ineffective nothings about his being ill and needing advice and care, but he seemed absorbed in the effort to recall distinctly what had last passed between us. “You were right,” he said, with a pitiful smile, “I am a dawdler! I am a failure! I shall do nothing more in this world. You opened my eyes; and, though the truth is bitter, I bear you no grudge. Amen! I have been sitting here for a week, face to face with the truth, with the past, with my weakness and poverty and nullity. I shall never touch a brush! I believe I have neither eaten nor slept. Look at that canvas!” he went on, as I relieved my emotion in an urgent request that he would come home with me and dine. “That was to have contained my masterpiece! Isn’t it a promising foundation? The elements of it are all HERE. And he tapped his forehead with that mystic confidence which had marked the gesture before. “If I could only transpose them into some brain that has the hand, the will! Since I have been sitting here taking stock of my intellects, I have come to believe that I have the material for a hundred masterpieces. But my hand is paralysed now, and they will never be painted. I never began! I waited and waited to be worthier to begin, and wasted my life in preparation. While I fancied my creation was growing it was dying. I have taken it all too hard! Michael Angelo didn’t, when he went at the Lorenzo! He did his best at a venture, and his venture is immortal. THAT’S mine!” And he pointed with a gesture I shall never forget at the empty canvas. “I suppose we are a genus by ourselves in the providential scheme–we talents that can’t act, that can’t do nor dare! We take it out in talk, in plans and promises, in study, in visions! But our visions, let me tell you,” he cried, with a toss of his head, “have a way of being brilliant, and a man has not lived in vain who has seen the things I have seen! Of course you will not believe in them when that bit of worm-eaten cloth is all I have to show for them; but to convince you, to enchant and astound the world, I need only the hand of Raphael. His brain I already have. A pity, you will say, that I haven’t his modesty! Ah, let me boast and babble now; it’s all I have left! I am the half of a genius! Where in the wide world is my other half? Lodged perhaps in the vulgar soul, the cunning, ready fingers of some dull copyist or some trivial artisan, who turns out by the dozen his easy prodigies of touch! But it’s not for me to sneer at him; he at least does something. He’s not a dawdler! Well for me if I had been vulgar and clever and reckless, if I could have shut my eyes and taken my leap.”