**** ROTATE **** **** ROTATE **** **** ROTATE **** **** ROTATE ****

Find this Story

Print, a form you can hold

Wireless download to your Amazon Kindle

Look for a summary or analysis of this Story.

Enjoy this? Share it!

PAGE 7

The Machine That Saved The World
by [?]

The television receivers looked like other TV sets, except for minute and wavering standby lights which were never quite as bright or dim one moment as the next. The jeeps–used strictly within the barbed-wire fence around the post–had similar yellow glowings on their instrument-boards, and they were very remarkable jeeps. They never ran off the graveled roads onto the grass, and they never collided with each other, and it was said that the nine-year-old son of a lieutenant-colonel had tried to drive one and it would not stir. Its motor cut off when he forced it into gear. When he tried to re-start it, the starter did not turn. But when an adult stepped into it, it operated perfectly–only it braked and stopped itself when a small child toddled into its path.

There were some people who said that this story was not true, but other people insisted that it was. Anyhow the washing-machines were perfect. They never tangled clothes put into them. It was reported that Mrs. So-and-so’s washing-machine had found a load of clothes tangled, and reversed itself and worked backward until they were straightened out.

Television sets turned to the proper channels–different ones at different times of day–with incredible facility. The smallest child could wrench at a tuning-knob and the desired station came on. All the operating devices of Research Installation 83 worked as if they liked to–which might have been alarming except that they never did anything of themselves. They initiated nothing. But each one acted like an old, favorite possession. They fitted their masters. They seemed to tune themselves to the habits of their owners. They were infinitely easy to work right, and practically impossible to work wrong.

Such machines, of course, had not been designed to cope with enigmatic broadcasts or for military purposes. But the jet-planes on the small airfield were very remarkable indeed, and the other and lesser devices had been made for better understanding of the Mahon units which made machines into practically a new order of creation.

* * * * *

Sergeant Bellews ushered Lecky into the Rehab Shop. There was the pleasant, disorderly array of devices with their wavering standby lights. They gave an effect of being alive, but somehow it was not disturbing. They seemed not so much intent as meditative, and not so much watchful as interested. When the sergeant and his guest moved past them, the unrhythmic waverings of the small yellow lights seemed to change hopefully, as if the machines anticipated being put to use. Which, of course, was absurd. Mahon machines do not anticipate anything. They probably do not remember anything, though patterns of operation are certainly retained in very great variety. The fact is that a Mahon unit is simply a device to let a machine stand idle without losing the nature of an operating machine.

The basic principle goes back to antiquity. Ships, in ancient days, had manners and customs individual to each vessel. Some were sweet craft, easily handled and staunch and responsive. Others were stubborn and begrudging of all helpfulness. Sometimes they were even man-killers. These facts had no rational explanation, but they were facts. In similarly olden times, particular weapons acquired personalities to the point of having personal names–Excalibur, for example.

Every fighting man knew of weapons which seemed to possess personal skill and ferocity. Later, workmen found that certain tools had a knack of fitting smoothly in the hand–seeming even to divine the grain of the wood they worked on. The individual characteristics of violins were notorious, so that a violin which sang joyously under the bow was literally priceless.

And all these things, as a matter of observation and not of superstition, kept their qualities only when in constant use. Let a ship be hauled out of water and remain there for a time, and she would be clumsy on return to her native element. Let a sword or tool stay unused, and it seemed to dull. In particular, the finest of violins lost its splendor of tone if left unplayed, and any violin left in a repair-shop for a month had to be played upon constantly for many days before its living tone came back.