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Now thou art mine
And I am thine:
And what though pain and sorrow wait
To seize thee at the gate,
And sob and tear and groan and sigh
Stand ranged in state
On thee to fly;
Blithely let us look and cheerily
On death, that grins so drearily.
What would grief with us, or anguish?
They are foes that we know how to vanquish.
I press thine answering fingers,
Thy look upon me lingers,
Or the fringe of thy garment will waft me a kiss:
Thou rollest on in light;
I fall back into night;
Even despair is bliss.

From this delight,
From this wild laughter’s surge,
Perchance there may emerge
Foul jealousy and scorn and spite.
But this our glory! and pride!
When thee I despise,
I turn but mine eyes,
And the fair one beside thee will welcome my gaze;
And she is my bride;
Oh, happy, happy days!
Or shall it be her neighbour,
Whose eyes like a sabre
Flash and pierce,
Their glance is so fierce?

Thus capering and prancing,
All together go dancing
Adown life’s giddy cave;
Nor living nor loving,
But dizzily roving
Through dreams to a grave.
There below ’tis yet worse;
Its flowers and its clay
Roof a gloomier day,
Hide a still deeper curse.
Ring then, ye cymbals, enliven this dream!
Ye horns, shout a fiercer, more vulture-like scream!
And jump, caper, leap, prance, dance yourselves out of breath!
For your life is all art;
Love has given you no heart:
Therefore shout till ye plunge into bottomless death.

He had ended and was standing at the window. Then came she into the opposite chamber, lovely, as he had never yet seen her; her brown hair floated freely and played in wanton ringlets about the whitest of necks; she was but lightly clad, and it seemed as though she was about to finish some household task at this late hour of the night before going to bed; for she placed two lights in two corners of the room, set to rights the green baize on the table, and again retired. Emilius was still sunk in his sweet dreams, and gazing on the image which his beloved had left on his mind, when to his horror the fearful, the scarlet old woman walked through the chamber; the gold on her head and breast glared ghastlily as it threw back the light. She had vanished again. Was he to believe his eyes? Was it not some blinding deception of the night, some spectre that his own feverish imagination had conjured up before him? But no! she returned still more hideous than before, with a long gray-and-black mane flying wildly and ruggedly about her breast and back. The fair maiden followed her, pale, frozen up; her lovely bosom was without a covering; but the whole form was like a marble statue. Betwixt them they led the little sweet child, weeping and clinging entreatingly to the fair maiden, who looked not down upon it. The child clasped and lifted up its little beseeching hands, and stroked the pale neck and cheeks of the marble beauty. But she held it fast by the hair, and in the other hand a silver basin. Then the old woman gave a growl, and pulled out a long knife, and drew it across the white neck of the child. Here something wound forth from behind them, which they seemed not to perceive; or it must have produced in them the same deep horror as in Emilius. The ghastly neck of a serpent curled forth, scale after scale, lengthening and ever lengthening out of the darkness, and stooped down between them over the child, whose lifeless limbs hung from the old woman’s arms; its black tongue licked up the spirting red blood, and a green sparkling eye shot over into Emilius’s eye, and brain, and heart, so that he fell at the same instant to the ground.