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The Lost Boy
by
Poor old mama. You know, he always was her eyeballs—you know that, don’t you?—not the rest of us!—no, sir! I know what I’m talking about. It always has been Grover—she always thought more of him than she did of any of the others. And—poor kid!—he was a sweet kid. I can still see him lying there, and remember how sick he was, and how scared I was! I don’t know why I was so scared. All we’d done had been to sneak away from home and go into a lunchroom—but I felt guilty about the whole thing, as if it was my fault.
It all came back to me the other day when I was looking at that picture, and I thought, my God, we were two kids together, and I was only two years older than Grover was, and now I’m forty-six. . . . Can you believe it? Can you figure it out—the way we grow up and change and go away? . . . And my Lord, Grover seemed so grown-up to me. He was such a quiet kid—I guess that’s why he seemed older than the rest of us.
I wonder what Grover would say now if he could see that picture. All my hopes and dreams and big ambitions have come to nothing, and it’s all so long ago, as if it happened in another world. Then it comes back, as if it happened yesterday. . . . Sometimes I lie awake at night and think of all the people who have come and gone, and how everything is different from the way we thought that it would be. Then I go out on the street next day and see the faces of the people that I pass. . . . Don’t they look strange to you? Don’t you see something funny in people’s eyes, as if all of them were puzzled about something? As if they were wondering what had happened to them since they were kids? Wondering what it is that they have lost? . . . Now am I crazy, or do you know what I mean? You’ve been to college, Gene, and I want you to tell me if you know the answer. Now do they look that way to you? I never noticed that look in people’s eyes when I was a kid—did you?
My God, I wish I knew the answer to these things. I’d like to find out what is wrong—what has changed since then—and if we have the same queer look in our eyes, too. Does it happen to us all, to everyone? . . . Grover and Ben, Steve, Daisy, Luke, and me—all standing there before that house on Woodson Street in Altamont—there we are, and you see the way we were—and how it all gets lost. What is it, anyway, that people lose?
How is it that nothing turns out the way we thought it would be? It all gets lost until it seems that it has never happened—that it is something we dreamed somewhere. . . . You see what I mean? . . . It seems that it must be something we heard somewhere—that it happened to someone else. And then it all comes back again.
And suddenly you remember just how it was, and see again those two funny, frightened, skinny little kids with their noses pressed against the dirty window of that lunchroom thirty years ago. You remember the way it felt, the way it smelled, even the strange smell in the old pantry in that house we lived in then. And the steps before the house, the way the rooms looked. And those two little boys in sailor suits who used to ride up and down before the house on tricycles . . . . And the birthmark on Grover’s neck. . . . The Inside Inn . . . . St. Louis and the Fair.
It all comes back as if it happened yesterday. And then it goes away again, and seems farther off and stranger than if it happened in a dream.