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MORNING SONG

The eastern sky is streaked with red,
The weary night is done,
And from his distant ocean bed
Rolls up the morning sun.
The dew, like tiny silver beads
Bespread o’er velvet green,
Is scattered on the wakeful meads
By angel hands unseen.
“Good-morrow, robin in the trees!”
The star-eyed daisy cries;
“Good-morrow,” sings the morning breeze
Unto the ruddy skies;
“Good-morrow, every living thing!”
Kind Nature seems to say,
And all her works devoutly sing
A hymn to birth of day,
So, haste, without delay,
Haste, fairy friends, on silver wing,
And to your homes away!

“But the fairies could never leave little master so unceremoniously. Before betaking themselves to their pretty homes under the rocks near the brook, they would address a parting song to his eyes, and this song they called a matin invocation:

TO A SLEEPING BABY’S EYES

And thou, twin orbs of love and joy!
Unveil thy glories with the morn–
Dear eyes, another day is born–
Awake, O little sleeping boy!
Bright are the summer morning skies,
But in this quiet little room
There broods a chill, oppressive gloom–
All for the brightness of thine eyes.
Without those radiant orbs of thine
How dark this little world would be–
This sweet home-world that worships thee–
So let their wondrous glories shine
On those who love their warmth and joy–
Awake, O sleeping little boy.

“So that ended the fairy operetta, did it?” inquired the match-box.

“Yes,” said the little shoe, with a sigh of regret. “The fairies were such bewitching creatures, and they sang so sweetly, I could have wished they would never stop their antics and singing. But, alas! I fear I shall never see them again.”

“What makes you think so?” asked the brass candlestick.

“I ‘m sure I can’t tell,” replied the little shoe; “only everything is so strange-like and so changed from what it used to be that I hardly know whether indeed I am still the same little shoe I used to be.”

“Why, what can you mean?” queried the old clock, with a puzzled look on her face.

“I will try to tell you,” said the little shoe. “You see, my mate and our master and I were great friends; as I have said, we roamed and frolicked around together all day, and at night my little mate and I watched at master’s bedside while he slept. One day we three took a long ramble, away up the street and beyond where the houses were built, until we came into a beautiful green field, where the grass was very tall and green, and where there were pretty flowers of every kind. Our little master talked to the flowers and they answered him, and we all had a merry time in the meadow that afternoon, I can tell you. ‘Don’t go away, little child,’ cried the daisies, ‘but stay and be our playfellow always.’ A butterfly came and perched on our master’s hand, and looked up and smiled, and said: ‘I ‘m not afraid of you; you would n’t hurt me, would you?’ A little mouse told us there was a thrush’s nest in the bush yonder, and we hurried to see it. The lady thrush was singing her four babies to sleep. They were strange-looking babies, with their gaping mouths, bulbing eyes, and scant feathers! ‘Do not wake them up,’ protested the lady thrush. ‘Go a little further on and you will come to the brook. I will join you presently.’ So we went to the brook.”

“Oh, but I would have been afraid,” suggested the pen-wiper.

“Afraid of the brook!” cried the little shoe. “Oh, no; what could be prettier than the brook! We heard it singing in the distance. We called to it and it bade us welcome. How it smiled in the sunshine! How restless and furtive and nimble it was, yet full of merry prattling and noisy song. Our master was overjoyed. He had never seen the brook before; nor had we, for that matter. ‘Let me cool your little feet,’ said the brook, and, without replying, our master waded knee-deep into the brook. In an instant we were wet through–my mate and I; but how deliciously cool it was here in the brook, and how smooth and bright the pebbles were! One of the pebbles told me it had come many, many miles that day from its home in the hills where the brook was born.”