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“What is the favour you want to ask of Madame Laurin?” inquired the lady, smiling.

“I want to ask her if she will come and sing for Denise before she dies–before Denise dies, I mean. Denise is our French girl, and the doctor says she cannot live very long, and she wishes with all her heart to hear Madame Laurin sing. It is very bitter, you know, to be dying and want something very much and not be able to get it.”

“Do you think Madame Laurin will go?” asked the lady.

“I don’t know. I am going to offer her my little black doll. If she will not come for that, there is nothing else I can do.”

A flash of interest lighted up the lady’s brown eyes. She bent forward.

“Is it your doll you have in that box? Will you let me see it?”

Little Joyce nodded. Mutely she opened the box and took out the black doll. The lady gave an exclamation of amazed delight and almost snatched it from Little Joyce. It was a very peculiar little doll indeed, carved out of some black polished wood.

“Child, where in the world did you get this?” she cried.

“Father got it out of a grave in Egypt,” said Little Joyce. “It was buried with the mummy of a little girl who lived four thousand years ago, Uncle Roderick says. She must have loved her doll very much to have had it buried with her, mustn’t she? But she could not have loved it any more than I do.”

“And yet you are going to give it away?” said the lady, looking at her keenly.

“For Denise’s sake,” explained Little Joyce. “I would do anything for Denise because I love her and she loves me. When the only person in the world who loves you is going to die, there is nothing you would not do for her if you could. Denise was so good to me before she took sick. She used to kiss me and play with me and make little cakes for me and tell me beautiful stories.”

The lady put the little black doll back in the box. Then she stood up and held out her hand.

“Come,” she said. “I am Madame Laurin, and I shall go and sing for Denise.”

Little Joyce piloted Madame Laurin home and into the kitchen and up the back stairs to the kitchen chamber–a proceeding which would have filled Aunt Isabella with horror if she had known. But Madame Laurin did not seem to mind, and Little Joyce never thought about it at all. It was Little Joyce’s awkward, unMarshall-like fashion to go to a place by the shortest way there, even if it was up the kitchen stairs.

Madame Laurin stood in the bare little room and looked pityingly at the wasted, wistful face on the pillow.

“This is Madame Laurin, and she is going to sing for you, Denise,” whispered Little Joyce.

Denise’s face lighted up, and she clasped her hands.

“If you please,” she said faintly. “A French song, Madame–de ole French song dey sing long ‘go.”

Then did Madame Laurin sing. Never had that kitchen chamber been so filled with glorious melody. Song after song she sang–the old folklore songs of the habitant, the songs perhaps that Evangeline listened to in her childhood.

Little Joyce knelt by the bed, her eyes on the singer like one entranced. Denise lay with her face full of joy and rapture–such joy and rapture! Little Joyce did not regret the sacrifice of her black doll–never could regret it, as long as she remembered Denise’s look.

“T’ank you, Madame,” said Denise brokenly, when Madame ceased. “Dat was so beautiful–de angel, dey cannot sing more sweet. I love music so much, Madame. Leetle Joyce, she sing to me often and often–she sing sweet, but not lak you–oh, not lak you.”

“Little Joyce must sing for me,” said Madame, smiling, as she sat down by the window. “I always like to hear fresh, childish voices. Will you, Little Joyce?”