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Marion gazed at him blankly. “Oh,” she gasped, “we–we–were just talking about you.”

“If you hadn’t mentioned my name,” the actor said, “I should never have guessed it. And this is Mr. Carroll, I hope.”

The great man was rather pleased with the situation. As he read it, it struck him as possessing strong dramatic possibilities: Carroll was the struggling author on the verge of starvation; Marion, his sweetheart, flying to him gave him hope; and he was the good fairy arriving in the nick of time to set everything right and to make the young people happy and prosperous. He rather fancied himself in the part of the good fairy, and as he seated himself he bowed to them both in a manner which was charmingly inclusive and confidential.

“Miss Cavendish, I imagine, has already warned you that you might expect a visit from me,” he said, tentatively. Carroll nodded. He was too much concerned to interrupt.

“Then I need only tell you,” Wimpole continued, “that I got up at an absurd hour this morning to read your play; that I did read it; that I like it immensely–and that if we can come to terms I shall produce it. I shall produce it at once, within a fortnight or three weeks.”

Carroll was staring at him intently and continued doing so after Wimpole had finished speaking. The actor felt he had somehow missed his point, or that Carroll could not have understood him, and repeated, “I say I shall put it in rehearsal at once.”

Carroll rose abruptly, and pushed back his chair. “I should be very glad,” he murmured, and strode over to the window, where he stood with his back turned to his guests. Wimpole looked after him with a kindly smile and nodded his head appreciatively. He had produced even a greater effect than his lines seemed to warrant. When he spoke again, it was quite simply, and sincerely, and though he spoke for Carroll’s benefit, he addressed himself to Marion.

“You were quite right last night,” he said; “it is a most charming piece of work. I am really extremely grateful to you for bringing it to my notice.” He rose, and going to Carroll, put his hand on his shoulder. “My boy,” he said, “I congratulate you. I should like to be your age, and to have written that play. Come to my theatre to-morrow and we will talk terms. Talk it over first with your friends, so that I shan’t rob you. Do you think you would prefer a lump sum now, and so be done with it altogether, or trust that the royalties may–“

“Royalties,” prompted Marion, in an eager aside.

The men laughed. “Quite right,” Wimpole assented, good-humoredly; “it’s a poor sportsman who doesn’t back his own horse. Well, then, until to-morrow.”

“But,” Carroll began, “one moment, please. I haven’t thanked you.”

“My dear boy,” cried Wimpole, waving him away with his stick, “it is I who have to thank you.”

“And–and there is a condition,” Carroll said, “which goes with the play. It is that Miss Cavendish is to have the part of Nancy.”

Wimpole looked serious and considered for a moment.

“Nancy,” he said, “the girl who interferes–a very good part. I have cast Miss Maddox for it in my mind, but, of course, if the author insists–“

Marion, with her elbows on the table, clasped her hands appealingly before her.

“Oh, Mr. Wimpole!” she cried, “you owe me that, at least.”

Carroll leaned over and took both of Marion’s hands in one of his.

“It’s all right,” he said; “the author insists.”

Wimpole waved his stick again as though it were the magic wand of the good fairy.

“You shall have it,” he said. “I recall your performance in ‘The New Boy’ with pleasure. I take the play, and Miss Cavendish shall be cast for Nancy. We shall begin rehearsals at once. I hope you are a quick study.”

“I’m letter-perfect now,” laughed Marion.

Wimpole turned at the door and nodded to them. They were both so young, so eager, and so jubilant that he felt strangely old and out of it. “Good-by, then,” he said.