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Spring was once more afoot in the land. They daily marked her advance as they went. Halfway up the mountains she had climbed: for the maples were blooming in rich dark reds that made the nearer slopes even more splendid of garb than the velvet azure of the distant ranges, the elms had put forth delicate sprays of emerald tint, and the pines all bore great wax-like tapers amidst their evergreen boughs, as if ready for kindling for some great festival. It is a wonderful thing to hear a wind singing in myriads of their branches at once. The surging tones of this oratorio of nature resounded for miles along the deep indented ravines and the rocky slopes of the Great Smoky Mountains. Now and again the flow of a torrent or the dash of a cataract added fugue-like effects. The men were constantly impressed by these paeans of the forests; the tuft of violets abloom beneath a horse’s hoofs might be crushed unnoticed, but the acoustic conditions of the air and the high floating of the tenuous white clouds against a dense blue sky, promising rain in due season, evoked a throb of satisfaction in the farmer’s heart not less sincere because unaesthetic. The farmer’s toil had hardly yet begun, the winter’s hunt being just concluded, and each of the stationers with a string of led horses was bound for his camps and caches to bring in the skins that made the profit of the season.

One of this group of three was the psalm-singer of the blockhouse. His name was Xerxes Alexander Anxley, and he was unceremoniously called by the community “X,” and by Mivane “the unknown quantity,” for he was something of an enigma, and his predilections provoked much speculation. He was a religionist of ascetic, extreme views,–a type rare in this region,–coming originally from the colony of the Salzburgers established in Georgia.

We are less disposed to be tolerant of individual persuasions which imply a personal and unpleasant reflection. Xerxes Alexander Anxley disapproved of dancing, and the community questioned his sanity; for these early pioneers in the region of the Great Smoky Range carried the rifle over one shoulder and the fiddle over the other. He disapproved of secular songs and idle stories, and the settlement questioned his taste; for it was the delight of the stationers, old and young, to gather around the hearth, and, while the chestnuts roasted in the fire for the juniors, and the jovial horn, as it was called, circulated among the elders, the oft-told story was rehearsed and the old song sung anew. He even disapproved of the jovial horn–and the settlement questioned his sincerity.

This man Anxley looked his ascetic character. He had a hard pragmatic countenance, and one of those noses which though large and bony come suddenly short and blunted. His eyes, small, gray, and inscrutable, seemed unfriendly, so baffling, introspective, unnoting was their inattentiveness. His hair was of a sort of carrot tint, which color was reproduced in paler guise in his fringed buckskin shirt and leggings, worn on a sturdy and powerful frame. His mouth was shut hard and fast upon his convictions, as if to denote that he could not be argued out of them, and when the lips parted its lines were scarcely more mobile, and his words were usually framed to doubt one’s state of grace and to contravene one’s tenets as to final salvation. He rode much of the time with the reins loose on his horse’s neck, and perhaps no man in the saddle had ever been so addicted to psalmody since the days of Cromwell’s troopers. His theological disputations grated peculiarly upon Emsden’s mood, and he always laid at his door the disaster that followed.

“If I hadn’t been so traveled that day,–dragged through hell and skirting of purgatory and knocking at the gates of heaven,–I wouldn’t have lost my wits so suddenly when I came back to earth with a bounce,” Emsden afterward declared.