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“I have had to hire a new maid. Fletcher is going to be married, and she wants me to ask you to let her husband have the public-house and farm at Molton. I wish him to have it. You must give the promise now, because Fletcher is going to-morrow morning–and quickly, because I’m in a hurry.”

“Very well; you may promise her,” I said, indifferently, and Bertha swept out of the library again.

I always shrank from the sight of a new person, and all the more when it was a person whose mental life was likely to weary my reluctant insight with worldly ignorant trivialities. But I shrank especially from the sight of this new maid, because her advent had been announced to me at a moment to which I could not cease to attach some fatality: I had a vague dread that I should find her mixed up with the dreary drama of my life–that some new sickening vision would reveal her to me as an evil genius. When at last I did unavoidably meet her, the vague dread was changed into definite disgust. She was a tall, wiry, dark-eyed woman, this Mrs. Archer, with a face handsome enough to give her coarse hard nature the odious finish of bold, self-confident coquetry. That was enough to make me avoid her, quite apart from the contemptuous feeling with which she contemplated me. I seldom saw her; but I perceived that she rapidly became a favourite with her mistress, and, after the lapse of eight or nine months, I began to be aware that there had arisen in Bertha’s mind towards this woman a mingled feeling of fear and dependence, and that this feeling was associated with ill-defined images of candle-light scenes in her dressing-room, and the locking-up of something in Bertha’s cabinet. My interviews with my wife had become so brief and so rarely solitary, that I had no opportunity of perceiving these images in her mind with more definiteness. The recollections of the past become contracted in the rapidity of thought till they sometimes bear hardly a more distinct resemblance to the external reality than the forms of an oriental alphabet to the objects that suggested them.

Besides, for the last year or more a modification had been going forward in my mental condition, and was growing more and more marked. My insight into the minds of those around me was becoming dimmer and more fitful, and the ideas that crowded my double consciousness became less and less dependent on any personal contact. All that was personal in me seemed to be suffering a gradual death, so that I was losing the organ through which the personal agitations and projects of others could affect me. But along with this relief from wearisome insight, there was a new development of what I concluded–as I have since found rightly–to be a provision of external scenes. It was as if the relation between me and my fellow-men was more and more deadened, and my relation to what we call the inanimate was quickened into new life. The more I lived apart from society, and in proportion as my wretchedness subsided from the violent throb of agonized passion into the dulness of habitual pain, the more frequent and vivid became such visions as that I had had of Prague–of strange cities, of sandy plains, of gigantic ruins, of midnight skies with strange bright constellations, of mountain-passes, of grassy nooks flecked with the afternoon sunshine through the boughs: I was in the midst of such scenes, and in all of them one presence seemed to weigh on me in all these mighty shapes–the presence of something unknown and pitiless. For continual suffering had annihilated religious faith within me: to the utterly miserable–the unloving and the unloved–there is no religion possible, no worship but a worship of devils. And beyond all these, and continually recurring, was the vision of my death–the pangs, the suffocation, the last struggle, when life would be grasped at in vain.