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PAGE 3

The Legend Of William Tell
by [?]

Events were gradually shaping themselves for the appearance of William Tell on the scene. Up to this time his name does not appear in the annals of his country. The bold peasant of Uri was so little prominent among his countrymen that, according to some versions of the legend, although a son-in-law of Walter Furst, he had not been chosen among the thirty conspirators summoned to the meeting at Rutli. This, however, is contradicted by another, which asserts that he was “one of the oath-bound men of Rutli.”

The various divergences in the different versions of the legend do not affect its main features, on which all the chroniclers are agreed. It was the crowning insult to his country which indisputably brought Tell into prominence and made his name forever famous.

Gessler’s hatred of the people daily increased, and was constantly showing itself in every form of petty tyranny that a mean and wicked nature could devise. He noticed the growing discontent among the peasantry, but instead of trying to allay it, he determined to humiliate them still more. For this purpose he had a pole, surmounted by the ducal cap of Austria, erected in the market square of the village of Altdorf, and issued a command that all who passed it should bow before the symbol of imperial rule. Guards were placed by the pole with orders to make prisoners of all who refused to pay homage to the ducal cap.

William Tell, a bold hunter and skillful boatman of Uri, passing by one day, with his little son, Walter, refused to bend his knee before the symbol of foreign oppression. He was seized at once by the guards and carried before the bailiff.

There is considerable contradiction at this point as to whether Tell was at once carried before the bailiff or bound to the pole, where he remained, guarded by the soldiers, until the bailiff, returning the same day from a hunting expedition, appeared upon the scene. Schiller, in his drama of “William Tell,” adopts the latter version of the story.

According to the drama, Tell is represented as being bound to the pole. In a short time he is surrounded by friends and neighbors. Among them are his father-in-law, Walter Furst, Werner Stauffacher, and Arnold of Melchthal. They advance to rescue the prisoner. The guards cry in a loud voice: “Revolt! Rebellion! Treason! Sedition! Help! Protect the agents of the law!”

Gessler and his party hear the cries, and rush to the support of the guards. Gessler cries in a loud authoritative voice: “Wherefore is this assembly of people? Who called for help? What does all this mean? I demand to know the cause of this!”

Then, addressing himself particularly to one of the guards and pointing to Tell, he says: “Stand forward! Who art thou, and why dost thou hold that man a prisoner?”

“Most mighty lord,” replies the guard, “I am one of your soldiers placed here as a sentinel over that hat. I seized this man in the act of disobedience, for refusing to salute it. I was about to carry him to prison in compliance with your orders, and the populace were preparing to rescue him by force.”

After questioning Tell, whose answers are not satisfactory, the bailiff pronounces sentence upon him. The sentence is that he shall shoot at an apple placed on the head of his little son, Walter, and if he fails to hit the mark he shall die.

“My lord,” cries the agonized parent; “what horrible command is this you lay upon me? What! aim at a mark placed on the head of my dear child? No, no, it is impossible that such a thought could enter your imagination. In the name of the God of mercy, you cannot seriously impose that trial on a father.”

“Thou shalt aim at an apple placed on the head of thy son. I will and I command it,” repeats the tyrant.

“I! William Tell! aim with my own crossbow at the head of my own offspring! I would rather die a thousand deaths.”