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When he had accepted the position of “London correspondent” (with an occasional side-glance at Paris) to the New York Searchlight, he had not understood that his work was to include the obligation of “interviewing”; indeed, had the possibility presented itself in advance, he would have met it by unpacking his valise and returning to the drudgery of his assistant-editorship in New York. But when, after three months in Europe, he received a letter from his chief, suggesting that he should enliven the Sunday Searchlight by a series of “Talks with Smart Americans in London” (beginning, say, with Mrs. Sam Newell), the change of focus already enabled him to view the proposal without passion. For his life on the edge of the great world-caldron of art, politics and pleasure–of that high-spiced brew which is nowhere else so subtly and variously compounded–had bred in him an eager appetite to taste of the heady mixture. He knew he should never have the full spoon at his lips, but he recalled the peasant-girl in one of Browning’s plays, who has once eaten polenta cut with a knife which has carved an ortolan. Might not Mrs. Newell, who had so successfully cut a way into the dense and succulent mass of English society, serve as the knife to season his polenta?

He had expected, as the result of the interview, to which she promptly, almost eagerly, assented, no more than the glimpse of brightly lit vistas which a waiting messenger may catch through open doors; but instead he had found himself drawn at once into the inner sanctuary, not of London society, but of Mrs. Newell’s relation to it. She had been candidly charmed by the idea of the interview: it struck him that she was conscious of the need of being freshened up. Her appearance was brilliantly fresh, with the inveterate freshness of the toilet-table; her paint was as impenetrable as armor. But her personality was a little tarnished: she was in want of social renovation. She had been doing and saying the same things for too long a time. London, Cowes, Homburg, Scotland, Monte Carlo–that had been the round since Hermy was a baby. Hermy was her daughter, Miss Hermione Newell, who was called in presently to be shown off to the interviewer and add a paragraph to the celebration of her mother’s charms.

Miss Newell’s appearance was so full of an unassisted freshness that for a moment Garnett made the mistake of fancying that she could fill a paragraph of her own. But he soon found that her vague personality was merely tributary to her parent’s; that her youth and grace were, in some mysterious way, her mother’s rather than her own. She smiled obediently on Garnett, but could contribute little beyond her smile and the general sweetness of her presence, to the picture of Mrs. Newell’s existence which it was the young man’s business to draw. And presently he found that she had left the room without his noticing it.

He learned in time that this unnoticeableness was the most conspicuous thing about her. Burning at best with a mild light, she became invisible in the glare of her mother’s personality. It was in fact only as a product of her environment that poor Hermione struck the imagination. With the smartest woman in London as her guide and example she had never developed a taste for dress, and with opportunities for enlightenment from which Garnett’s fancy recoiled she remained simple, unsuspicious and tender, with an inclination to good works and afternoon church, a taste for the society of dull girls, and a clinging fidelity to old governesses and retired nurse-maids. Mrs. Newell, whose boast it was that she looked facts in the face, frankly owned that she had not been able to make anything of Hermione. “If she has a role I haven’t discovered it,” she confessed to Garnett. “I’ve tried everything, but she doesn’t fit in anywhere.”