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The Lady Of Lucerne
by
Once when she lost she bit her lips so deeply that a speck of blood tinged her handkerchief. The next instant she was clutching her winnings with almost the ferocity of a hungry animal. Then she leaned back a moment later exhausted in her chair, her face thrown up, her eyes closing wearily.
In her hand she held a small chamois bag filled with gold; when her chips were exhausted she would rise silently, float like a shadow to the desk, lay a handful of gold from the bag upon the counter, sweep the ivories into her hand, and noiselessly regain her seat. She seemed to know no one, and no one to know her, unless it might have been the croupier, who, I thought, watched her closely when he pushed over her winnings, parting his lips a little wider, his smile a trifle more cringing and devilish.
At twelve o’clock she was still playing, her face like chalk, her eyes bloodshot, her teeth clenched fast, her hair disheveled across her face.
The game went on.
When the clock reached the half-hour the man in gray pushed back his chair, gathered up his winnings, and moved to the door, an attendant handing him his hat. With the exception of the Parisienne, who had gone some time before, taking her companion with her, the devotees were the same,–the two Englishmen still exchanging clean, white Bank of England notes, the German and Haytian losing, but calm as mummies, the fat, oily woman, melting like a red candle, the perspiration streaming down her face.
Suddenly I heard a convulsive gasp. The woman in black was on her feet leaning over the table. Her eyes blazed in a frenzy of delight. She was sweeping into her open hands the piles of gold before her. By some marvelous stroke of luck, and with almost her last louis, she had won every franc on the cloth!
Then she drew herself up defiantly, covered her face with her veil, hugged the money to her breast, and staggered from the room.
II
So deep an impression had the gambling scene of the night before made upon me that the next morning I loitered under the Noah’s-ark trees, hoping I might identify the woman, and in some impossible, improbable way know more of her history. I even lounged into the Casino, tried the door at which I had knocked the night before, and, finding it locked and the scrubwoman suspicious, strolled out carelessly into the garden, and, sitting down under the palms, tried to pick out the windows that opened into the gaming-room. But they were all alike, with pots of flowers blooming in each.
Still burdened with these memories, I entered the church,–the old church with square towers and deep-receding entrance, that stands on the crest of a steep hill overlooking the Casino, and within a short distance of the Noah’s-ark trees. Every afternoon, near the hour of twilight, when the shadows reach down Mount Pilatus, and the mists gather in the valley, a broken procession of strollers, in twos and threes and larger groups, slowly climb its path. They are on their way to hear the great organ played.
The audience was already seated. It was at the moment of that profound hush which precedes the recital. Even my footfall, light as it was, reechoed to the groined arches. The church was ghostly dark,–so dark that the hundreds of heads melted into the mass of pews, and they into the gloom of column and wall. The only distinguishable gleam was the soft glow of the dying day struggling through the lower panes of the dust-begrimed windows. Against these hung long chains holding unlighted lamps.
I felt my way to an empty pew on a side aisle, and sat down. The silence continued. Now and again there was a slight cough, instantly checked. Once a child dropped a book, the echoes lasting apparently for minutes. The darkness became almost black night. Only the clean, new panes of glass used in repairing some break in the begrimed windows showed clear. These seemed to hang out like small square lanterns.