PAGE 2
The Lady Of Lucerne
by
Had the occasion been a clinic, the game a corpse, and the croupier the operating surgeon, the group about the table could not have been more absorbed or more silent; a cold, death-like, ominous stillness that seemed to saturate the very air. The only sounds were the occasional clickings of the ivory chips, like the chattering of teeth, and the monotones of the croupier announcing the results of the play:–
“Faites vos jeux. Le jeu est fait; rien ne va plus.”
I began to study the personnel of this clinic of chance.
Two Englishmen in evening dress sat side by side, never speaking, scarcely moving, their eyes riveted on the falling cards flipped from the croupier’s hands. A coarse-featured, oily-skinned woman–a Russian, I thought–looked on calmly, resting her head on her palm. A man in a gray suit, with waxy face and watery, yellow eyes, made paper pills, rolling them slowly between thumb and forefinger–his features as immobile as a death-mask. A blue-eyed, blond German officer, with a decoration on the lapel of his coat, nonchalantly twirled his mustache, his shoulders straining in tension. A Parisienne, with bleached hair and penciled eyebrows, leaned over her companion’s arm. There was also a flashily dressed negro, evidently a Haytian, who sat motionless at the far end, as stolid as a boiler, only the steam-gauge of his eyes denoting the pressure beneath.
No one spoke, no one laughed.
Two of the group interested me at once,–the croupier and a woman who sat within three feet of me.
The croupier, who was in evening dress, might have been of any age from thirty to fifty. His eyes were deep-set and glassy, like those of a consumptive. His hair was jet-black, his face clean-shaven; the skin, not ivory, but a dirty white, and flabby, like the belly of a toad. His thin and bloodless lips were flattened over a row of pure white teeth with glistening specks of gold that opened when he smiled; closing again slowly like an automaton’s. His shrunken, colorless hands lay on the black cloth like huge white spiders; their long, thin legs of fingers turned up at the tips–stealthy, creeping fingers. Sometimes, too, in their nervous workings, they drooped together like a bunch of skeleton keys. On one of these lock picks he wore a ring studded alternately with diamonds and rubies.
The cards seemed to know these fingers, fluttering about them, or lighting noiselessly at their bidding on the cloth.
When the bank won, the croupier permitted a slight shade of disappointment to flash over his face, fading into an expression of apology for taking the stakes. When the bank lost, the lips parted slowly, showing the teeth, in a half smile. Such delicate outward consideration for the feelings of his victims seemed a part of his education, an index to his natural refinement.
The woman was of another type. Although she sat with her back to me, I could catch her profile when she pushed her long veil from her face. She was dressed entirely in black. She had been, and was still, a woman of marked beauty, with an air of high breeding which was unmistakable. Her features were clean-cut and refined, her mouth and nose delicately shaped. Her forehead was shaded by waves of brown hair which half covered her ears. The eyes were large and softened by long lashes, the lids red as if with recent weeping. Her only ornament was a plain gold ring, worn on her left hand. Outwardly, she was the only person in the room who betrayed by her manner any vital interest in the game.
There are some faces that once seen haunt you forever afterward–faces with masks so thinly worn that you look through into the heart below. Hers was one of these. Every light and shadow of hope and disappointment that crossed it showed only the clearer the intensity of her mental strain, and the bitterness of her anxiety.