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The Lady Of All Our Dreams
by
She said soberly, “You need not make a jest of it. It is not ridiculous that you write of beautiful and joyous things because there was a time when living was really all one wonderful adventure, and you remember it.”
“But, oh, my dear, my dear! such glum discussions are so sadly out-of-place on such a night as this,” he lamented. “For it is a night of pearl-like radiancies and velvet shadows and delicate odors and big friendly stars that promise not to gossip, whatever happens. It is a night that hungers, and all its undistinguishable little sounds are voicing the night’s hunger for masks and mandolins, for rope-ladders and balconies and serenades. It is a night . . . a night wherein I gratefully remember so many beautiful sad things that never happened . . . to John Charteris, yet surely happened once upon a time to me . . .”
“I think that I know what it is to remember–better than you do, Jack. But what do you remember?”
“In faith, my dear, the most Bedlamitish occurrences! It is a night that breeds deplorable insanities, I warn you. For I seem to remember how I sat somewhere, under a peach-tree, in clear autumn weather, and was content; but the importance had all gone out of things; and even you did not seem very important, hardly worth lying to, as I spoke lightly of my wasted love for you, half in hatred, and–yes, still half in adoration. For you were there, of course. And I remember how I came to you, in a sinister and brightly lighted place, where a horrible, staring frail old man lay dead at your feet; and you had murdered him; and heaven did not care, and we were old, and all our lives seemed just to end in futile tangle-work. And, again, I remember how we stood alone, with visible death crawling lazily toward us, as a big sullen sea rose higher and higher; and we little tinseled creatures waited, helpless, trapped and yearning. . . . There is a boat in that picture; I suppose it was deeply laden with pirates coming to slit our throats from ear to ear. I have forgotten that part, but I remember the tiny spot of courtplaster just above your painted lips. . . . Such are the jumbled pictures. They are bred of brain-fag, no doubt; yet, whatever be their lineage,” said Charteris, happily, “they render glum discussion and platitudinous moralizing quite out of the question. So, let’s pretend, Pauline, that we are not a bit more worldly-wise than those youngsters who are frisking yonder in the Gymnasium–for, upon my word, I dispute if we have ever done anything to suggest that we are. Don’t let’s be cowed a moment longer by those bits of paper with figures on them which our too-credulous fellow-idiots consider to be the only almanacs. Let’s have back yesterday, let’s tweak the nose of Time intrepidly.” Then Charteris caroled:
“For Yesterday! for Yesterday!
I cry a reward for a Yesterday
Now lost or stolen or gone astray,
With all the laughter of Yesterday!”
“And how slight a loss was laughter,” she murmured–still with the vague and gentle eyes of a day-dreamer–“as set against all that we never earned in youth, and so will never earn.”
He inadequately answered “Bosh!” and later, “Do you remember—-?” he began.
Yes, she remembered that, it developed. And “Do you remember—-?” she in turn was asking later. It was to seem to him in retrospection that neither for the next half-hour began a sentence without this formula. It was as if they sought to use it as a master-word wherewith to reanimate the happinesses and sorrows of their common past, and as if they found the charm was potent to awaken the thin, powerless ghosts of emotions that were once despotic. For it was as if frail shadows and half-caught echoes were all they could evoke, it seemed to Charteris; and yet these shadows trooped with a wild grace, and the echoes thrilled him with the sweet and piercing surprise of a bird’s call at midnight or of a bugle heard in prison.