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It was because I sang contralto, or, as we said, alto, in the Baptist choir that Nell and I became friends. She was so gay and grown up, so busy with parties and dances and picnics, that I would scarcely have seen much of her had we not sung together. She liked me better than she did any of the older girls, who tried clumsily to be like her, and I felt almost as solicitous and admiring as did Mrs. Dow and Mrs. Spinny. I think even then I must have loved to see her bloom and glow, and I loved to hear her sing, in “The Ninety and Nine,”

But one was out on the hills away

in her sweet, strong voice. Nell had never had a singing lesson, but she had sung from the time she could talk, and Mrs. Dow used fondly to say that it was singing so much that made her figure so pretty.

After I went into the choir it was found to be easier to get Nelly to choir practice. If I stopped outside her gate on my way to church and coaxed her, she usually laughed, ran in for her hat and jacket, and went along with me. The three old ladies fostered our friendship, and because I was “quiet,” they esteemed me a good influence for Nelly. This view was propounded in a sewing-circle discussion and, leaking down to us through our mothers, greatly amused us. Dear old ladies! It was so manifestly for what Nell was that they loved her, and yet they were always looking for “influences” to change her.

The “Queen Esther” performance had cost us three months of hard practice, and it was not easy to keep Nell up to attending the tedious rehearsals. Some of the boys we knew were in the chorus of Assyrian youths, but the solo cast was made up of older people, and Nell found them very poky. We gave the cantata in the Baptist church on Christmas eve, “to a crowded house,” as the Riverbend “Messenger” truly chronicled. The country folk for miles about had come in through a deep snow, and their teams and wagons stood in a long row at the hitch-bars on each side of the church door. It was certainly Nelly’s night, for however much the tenor–he was her schoolmaster, and naturally thought poorly of her–might try to eclipse her in his dolorous solos about the rivers of Babylon, there could be no doubt as to whom the people had come to hear–and to see.

After the performance was over, our fathers and mothers came back to the dressing-rooms–the little rooms behind the baptistry where the candidates for baptism were robed–to congratulate us, and Nell persuaded my mother to let me go home with her. This arrangement may not have been wholly agreeable to Scott Spinny, who stood glumly waiting at the baptistry door; though I used to think he dogged Nell’s steps not so much for any pleasure he got from being with her as for the pleasure of keeping other people away. Dear little Mrs. Spinny was perpetually in a state of humiliation on account of his bad manners, and she tried by a very special tenderness to make up to Nelly for the remissness of her ungracious son.

Scott was a spare, muscular fellow, good-looking, but with a face so set and dark that I used to think it very like the castings he sold. He was taciturn and domineering, and Nell rather liked to provoke him. Her father was so easy with her that she seemed to enjoy being ordered about now and then. That night, when every one was praising her and telling her how well she sang and how pretty she looked, Scott only said, as we came out of the dressing-room:

“Have you got your high shoes on?”

“No; but I’ve got rubbers on over my low ones. Mother doesn’t care.”