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The Ill-Regulated Destiny Of Kin Yen, The Picture-Maker
by
“With this Tien returns everything she has ever accepted from Kin Yen. She even includes the brace of puppies which she received anonymously about a month ago, and which she did not eat, but kept for reasons of her own–reasons entirely unconnected with the vapid and exceedingly conceited Kin Yen.”
As though this letter, and the puppies of which this person now heard for the first time, making him aware of the existence of a rival lover, were not enough, there almost immediately arrived a letter from Tien’s father:
“This person has taken the advice of those skilled in extorting money by means of law forms, and he finds that Kin Yen has been guilty of a grave and highly expensive act. This is increased by the fact that Tien had conveyed his seemingly distinguished intentions to all her friends, before whom she now stands in an exceedingly ungraceful attitude. The machinery for depriving Kin Yen of all the necessaries of existence shall be put into operation at once.”
At this point, the person who is now concluding his obscure and commonplace history, having spent his last piece of money on joss-sticks and incense-paper, and being convinced of the presence of the spirits of his ancestors, is inspired to make the following prophecies: That Tieng Lin, who imposed upon him in the matter of picture-making, shall come to a sudden end, accompanied by great internal pains, after suffering extreme poverty; that the one who sits in an easy-chair, together with his lesser one and all who make stories for them, shall, while sailing to a rice feast during the Festival of Flowers, be precipitated into the water and slowly devoured by sea monsters, Klan-hi in particular being tortured in the process; that Pel-li-Chen, the father of Tien, shall be seized with the dancing sickness when in the presence of the august Emperor, and being in consequence suspected of treachery, shall, to prove the truth of his denials, be submitted to the tests of boiling tar, red-hot swords, and of being dropped from a great height on to the Sacred Stone of Goodness and Badness, in each of which he shall fail to convince his judges or to establish his innocence, to the amusement of all beholders.
These are the true words of Kin Yen, the picture-maker, who, having unweighed his mind and exposed the avaricious villainy of certain persons, is now retiring by night to a very select and hidden spot in the Khingan Mountains.