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The prominence obtained by this pleasantly-composed notice–for it was copied by others who were unaware of the circumstance of its origin–had the desired effect. In future, when one of those who sit in easy-chairs wished for a picture after the kind mentioned, he would say to his lesser one: “Oh, send to the graceful and versatile Kin Yen; he becomes inspired on the subject of funerals,” or persons escaping from prison, or families walking to the temple, or whatever it might be. In that way this narrow-minded and illiterate person was soon both looked at and rich, so that it was his daily practice to be carried, in silk garments, past the houses of those who had known him in poverty, and on these occasions he would puff out his cheeks and pull his moustaches, looking fiercely from side to side.

True are the words written in the elegant and distinguished Book of Verses: “Beware lest when being kissed by the all-seeing Emperor, you step upon the elusive banana-peel.” It was at the height of eminence in this altogether degraded person’s career that he encountered the being who led him on to his present altogether too lamentable condition.

Tien Nung is the earthly name by which is known she who combines all the most illustrious attributes which have been possessed of women since the days of the divine Fou-Hy. Her father is a person of very gross habits, and lives by selling inferior merchandise covered with some of good quality. Upon past occasions, when under the direct influence of Tien, and in the hope of gaining some money benefit, this person may have spoken of him in terms of praise, and may even have recommended friends to entrust articles of value to him, or to procure goods on his advice. Now, however, he records it as his unalterable decision that the father of Tien Nung is by profession a person who obtains goods by stratagem, and that, moreover, it is impossible to gain an advantage over him on matters of exchange.

The events that have happened prove the deep wisdom of Li Pen when he exclaimed “The whitest of pigeons, no matter how excellent in the silk-hung chamber, is not to be followed on the field of battle.” Tien herself was all that the most exacting of persons could demand, but her opinions on the subject of picture-making were not formed by heavy thought, and it would have been well if this had been borne in mind by this person. One morning he chanced to meet her while carrying open in his hands four sets of printed leaves containing his pictures.

“I have observed,” said Tien, after the usual personal inquiries had been exchanged, “that the renowned Kin Yen, who is the object of the keenest envy among his brother picture-makers, so little regards the sacredness of his accomplished art that never by any chance does he depict persons of the very highest excellence. Let not the words of an impetuous maiden disarrange his digestive organs if they should seem too bold to the high-souled Kin Yen, but this matter has, since she has known him, troubled the eyelids of Tien. Here,” she continued, taking from this person’s hand one of the printed leaves which he was carrying, “in this illustration of persons returning from extinguishing a fire, is there one who appears to possess those qualities which appeal to all that is intellectual and competitive within one? Can it be that the immaculate Kin Yen is unacquainted with the subtle distinction between the really select and the vastly ordinary? Ah, undiscriminating Kin Yen! are not the eyelashes of the person who is addressing you as threads of fine gold to junk’s cables when compared with those of the extremely commonplace female who is here pictured in the art of carrying a bucket? Can the most refined lack of vanity hide from you the fact that your own person is infinitely rounder than this of the evilly-intentioned-looking individual with the opium pipe? O blind Kin Yen!”