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PAGE 6

The Iliad of Sandy Bar
by [?]

The gray mist was rising slowly from the river, clinging to the tree-tops and drifting up the mountain-side, until it was caught among those rocky altars, and held a sacrifice to the ascending sun. At his feet the earth, cruelly gashed and scarred by his forgotten engines, had, since the old days, put on a show of greenness here and there, and now smiled forgivingly up at him, as if things were not so bad after all. A few birds were bathing in the ditch with a pleasant suggestion of its being a new and special provision of nature, and a hare ran into an inverted sluice-box, as he approached, as if it were put there for that purpose.

He had not yet dared to look in a certain direction. But the sun was now high enough to paint the little eminence on which the cabin stood. In spite of his self-control, his heart beat faster as he raised his eyes toward it. Its window and door were closed, no smoke came from its adobechimney, but it was else unchanged. When within a few yards of it, he picked up a broken shovel, and, shouldering it with a smile, strode toward the door and knocked. There was no sound from within. The smile died upon his lips as he nervously pushed the door open.

A figure started up angrily and came toward him,—a figure whose bloodshot eyes suddenly fixed into a vacant stare, whose arms were at first outstretched and then thrown up in warninggesticulation,—a figure that suddenly gasped, choked, and then fell forward in a fit.

But before he touched the ground, York had him out into the open air and sunshine. In the struggle, both fell and rolled over on the ground. But the next moment York was sitting up, holding the convulsed frame of his former partner on his knee, and wiping the foam from his inarticulate lips. Gradually the tremor became less frequent, and then ceased; and the strong man lay unconscious in his arms.

For some moments York held him quietly thus, looking in his face. Afar, the stroke of a woodman’s axe—a mere phantom of sound—was all that broke the stillness. High up the mountain, a wheeling hawk hung breathlessly above them. And then came voices, and two men joined them.

“A fight?” No, a fit; and would they help him bring the sick man to the hotel?

And there, for a week, the stricken partner lay, unconscious of aught but the visions wrought by disease and fear. On the eighth day, at sunrise, he rallied, and, opening his eyes, looked upon York, and pressed his hand; then he spoke:—

“And it’s you. I thought it was only whiskey.”

York replied by taking both of his hands, boyishly working them backward and forward, as his elbow rested on the bed, with a pleasant smile.

“And you’ve been abroad. How did you like Paris?”

“So, so. How did youlike Sacramento?”

“Bully.”

And that was all they could think to say. Presently Scott opened his eyes again.

“I’m mighty weak.”

“You ‘II get better soon.”

“Not much.”

A long silence followed, in which they could hear the sounds of wood-chopping, and that Sandy Bar was already astir for the coming day. Then Scott slowly and with difficulty turned his face to York, and said,—

“I might hev killed you once.”

“I wish you had.”

They pressed each other’s hands again, but Scott’s grasp was evidently failing. He seemed to summon his energies for a special effort.

“Old man!”

“Old chap.”

“Closer!”

York bent his head toward the slowly fading face.

“Do ye mind that morning?”

“Yes.”

A gleam of fun slid into the corner of Scott’s blue eye, as he whispered,—

“Old man, thar wastoo much saleratus in that bread.”