PAGE 5
The House With The Mezzanine
by
“O, mamma,” said Genya, kissing her hand. “It is not good for you to sleep during the day.”
They adored each other. When one went into the garden, the other would stand on the terrace and look at the trees and call: “Hello!” “Genya!” or “Mamma, dear, where are you?” They always prayed together and shared the same faith, and they understood each other very well, even when they were silent. And they treated other people in exactly the same way. Ekaterina Pavlovna also soon got used to me and became attached to me, and when I did not turn up for a few days she would send to inquire if I was well. And she too used to look admiringly at my sketches, and with the same frank loquacity she would tell me things that happened, and she would confide her domestic secrets to me.
She revered her elder daughter. Lyda never came to her for caresses, and only talked about serious things: she went her own way and to her mother and sister she was as sacred and enigmatic as the admiral, sitting in his cabin, to his sailors.
“Our Lyda is a remarkable person,” her mother would often say; “isn’t she?”
And, now, as the soft rain fell, we spoke of Lyda:
“She is a remarkable woman,” said her mother, and added in a low voice like a conspirator’s as she looked round, “such as she have to be looked for with a lamp in broad daylight, though you know, I am beginning to be anxious. The school, pharmacies, books–all very well, but why go to such extremes? She is twenty-three and it is time for her to think seriously about herself. If she goes on with her books and her pharmacies she won’t know how life has passed…. She ought to marry.”
Genya, pale with reading, and with her hair ruffled, looked up and said, as if to herself, as she glanced at her mother:
“Mamma, dear, everything depends on the will of God.”
And once more she plunged into her book.
Bielokurov came over in a poddiovka, wearing an embroidered shirt. We played croquet and lawn-tennis, and when it grew dark we had a long supper, and Lyda once more spoke of her schools and Balaguin, who had got the whole district into his own hands. As I left the Volchaninovs that night I carried away an impression of a long, long idle day, with a sad consciousness that everything ends, however long it may be. Genya took me to the gate, and perhaps, because she had spent the whole day with me from the beginning to end, I felt somehow lonely without her, and the whole kindly family was dear to me: and for the first time during the whole of that summer I had a desire to work.
“Tell me why you lead such a monotonous life,” I asked Bielokurov, as we went home. “My life is tedious, dull, monotonous, because I am a painter, a queer fish, and have been worried all my life with envy, discontent, disbelief in my work: I am always poor, I am a vagabond, but you are a wealthy, normal man, a landowner, a gentleman–why do you live so tamely and take so little from life? Why, for instance, haven’t you fallen in love with Lyda or Genya?”
“You forget that I love another woman,” answered Bielokurov.
He meant his mistress, Lyabor Ivanovna, who lived with him in the orchard house. I used to see the lady every day, very stout, podgy, pompous, like a fatted goose, walking in the garden in a Russian head-dress, always with a sunshade, and the servants used to call her to meals or tea. Three years ago she rented a part of his house for the summer, and stayed on to live with Bielokurov, apparently for ever. She was ten years older than he and managed him very strictly, so that he had to ask her permission to go out. She would often sob and make horrible noises like a man with a cold, and then I used to send and tell her that I’m if she did not stop I would go away. Then she would stop.