PAGE 5
The Hirelings
by
But the next afternoon found him again at the public piano, devoting all the magic of his genius to charming a contemptible Christendom. He gave them Beethoven and Bach, Paradies and Tschaikowski, unrolled to them the vast treasures of his art and memory. And very soon, lo! the Christian rats were pattering back again, only more wisely and cautiously. They came crawling from every part of the ship’s compass. Newcomers were warned whisperingly to keep from applause. In vain. An enraptured greenhorn shouted ‘Encore!’ The musician awoke from his trance, stared dreamily at the Philistines; then, as the presence of listeners registered itself upon his expressive countenance, he rose again–but this time as more in sorrow than in anger–and stalked sublimely up the swarming stairs.
It became a tradition to post guards at the doors to warn all comers as to the habits of the great unknown, who could only beat his music out if he imagined himself unheard. Scouts watched his afternoon advance upon the piano in an empty hall, and the word was passed to the little army of music-lovers. Silently the rats gathered, scurrying in on noiseless paws, stealing into the chairs, swarming about the doorways, pricking up their ears in the corridors. And through the awful hush rose the master’s silvery notes in rapturous self-oblivion till the day began to wane, and the stewards to appear with the tea-cups.
And the larger his audience grew, the fiercer grew his resentment against this complacent Christendom which took so much from the Jew and gave so little. ‘Shylocks!’ he would mutter between his clenched teeth as he played–‘Shylocks all!’
IV
With no less punctuality did Rozenoffski pace the silent deck each night in the hope of again meeting the red-haired Jewess. He had soon recovered from her menial office; indeed, the paradox of her position in so anti-Semitic a household quickened his interest in her. He wondered if she ever listened to his playing, or had realized that she had entertained an angel unawares.
But three nights passed without glimpse of her. Nor was her mistress more visible. The Wilhammers kept royally to themselves in their palatial suite, though the husband sometimes deigned to parade his fangs in the smoking-room, where with the luck of the rich he won heavily in the pools. It was not till the penultimate night of the voyage that Rozenoffski caught his second glimpse of his red-haired muse. He had started his nocturnal pacing much earlier than usual, for the inevitable concert on behalf of marine charities had sucked the loungers from their steamer-chairs. He had himself, of course, been approached by the programme-organizer, a bouncing actress from ‘Frisco, with an irresistible air, but he had defeated her hopelessly with the mysterious sarcasm: ‘To meet the Bright Lights?’ And his reward was to have the deck and the heavens almost to himself, and presently to find the stars outgleamed by a girl’s hair. Yes, there she was, gazing pensively forth from the cabin window. He guessed the mistress was out for once–presumably at the concert. His heart beat faster as he came to a standstill, yet the reminder that she was a lady’s maid brought an involuntary note of condescension into his voice.
‘I hope Mrs. Wilhammer hasn’t been keeping you too imprisoned?’ he said.
She smiled faintly. ‘Not so close as Neptune has kept her.’
‘Ill?’ he said, with a shade of malicious satisfaction.
‘It is curious and even consoling to see the limitations of Croesus,’ she replied. ‘But she is lucky–she just recovered in time.’
‘In time for what?’
‘Can’t you hear?’
Indeed, the shrill notes of an amateur soprano had been rending the air throughout, but they had scarcely penetrated through his exaltation. He now shuddered.
‘Do you mean it is she singing?’
The girl laughed outright. ‘She sing! No, no, she is a sensitive receiver. She receives; she gives out nothing. She exploits her soul as her husband exploits the globe. There isn’t a sensation or an emotion she denies herself–unless it is painful. It was to escape the concert that she has left her couch–and sought refuge in a friend’s cabin. You see, here sound travels straight from the dining-hall, and a false note, she says, gives her nerve-ache.’