FullReads

“Come early. Do you swim? We can run the launch to the beach–or, better still, dive in the deeper water near my boat.”

“Nancy swims,” I told him. “I don’t. And I am not sure that we can come early. Nancy and Anthony usually play golf in the morning.”

“Who is Anthony?”

“Anthony Peak. The man she is going to marry.”

He hesitated a moment, then said, “Bring him, too.” His direct gaze met mine, and his direct question followed. “Does she love him?”

“Of course.”

“It is not always ‘of course.'” He stopped and talked of other things, but in some subtle fashion I was aware that my news had been a shock to him, and that he was trying to adjust himself to it, and to the difference that it must make in his attitude toward Nancy.

* * * * *

When I told Nancy that Anthony had been invited, she demanded, “How did Olaf Thoresen know about him?”

“I told him you were engaged.”

“But why, Elizabeth? Why shout it from the housetops?”

“Well, I didn’t want him to be hurt.”

“You are taking a lot for granted.”

I shrugged my shoulders. “We won’t quarrel, and a party of four is much nicer than three.”

As it turned put, however, Anthony could not go. He was called back to Boston on business. That was where Fate again stepped in. It was, I am sure, those three days of Anthony’s absence which turned the scale of Nancy’s destiny. If he had been with us that first morning on the boat Olaf would not have dared….

Nancy wore her white linen and her gray-velvet coat, and a hat with a gull’s wing. She carried her bathing suit. “He intends, evidently, to entertain us in his own way.”

Olaf’s yacht was modern, but there was a hint of the barbaric in its furnishings. The cabin into which we were shown and in which Nancy was to change was in strangely carved wood, and there was a wolfskin on the floor in front of the low bed. The coverlet was of a fine-woven red-silk cloth, weighed down by a border of gold and silver threads. On the wall hung a square of tapestry which showed a strange old ship with sails of blue and red and green, and with golden dragon-heads at stem and stern.

Nancy, crossing the threshold, said to Olaf, who had opened the door for us, “It is like coming into another world; as if you had set the stage, run up the curtain, and the play had begun.”

“You like it? It was a fancy of mine to copy a description I found in an old book. King Olaf, the Thick-set, furnished a room like this for his bride.”

Olaf, the Thick-set! The phrase fitted perfectly this strong, stocky, blue-eyed man, who smiled radiantly upon us as he shut the door and left us alone.

Nancy stood in the middle of the room looking about her. “I like it,” she said, with a queer shake in her voice. “Don’t you, Elizabeth?”

I liked it so much that I felt it wise to hide my pleasure in a pretense of indifference. “Well, it is original to say the least.”

But it was more than original, it was poetic. It was–Melisande in the wood–one of Sinding’s haunting melodies, an old Saga caught and fixed in color and carving.

In this glowing room Nancy in her white and gray was a cold and incongruous figure, and when at last she donned her dull cap, and the dull cloak that she wore over her swimming costume, she seemed a ghostly shadow of the bright bride whom that other Olaf had brought–a thousand years before–to his strange old ship.

I realize that what comes hereafter in this record must seem to the unimaginative overdrawn. Even now, as I look back upon it, it has a dream quality, as if it might never have happened, or as if, as Nancy had said, it was part of a play, which would be over when the curtain was rung down and the actors had returned to the commonplace.