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The Hemicycle Of Athens
by [?]

After a hot day the sun began to sink, and the market-place lay already in shadow. The shadow rose and climbed up the Acropolis, on which the shield of Pallas still gleamed as the aegis of the city.

Before the vari-coloured colonnade stood a group of men who had assembled before the semi-circular marble seat called the Hemicyklion; they appeared to be awaiting someone’s arrival before they sat down. Among them were stately and handsome men, but there was also an extraordinarily ugly one, round whom, however, the others seemed to press. His face resembled that of a slave or satyr, and there were Athenians who thought they could trace in it the marks of all kinds of wickedness and crime. On hearing of such suspicions, Socrates is said to have remarked, “Think how much Socrates must have had to contend against, for he is neither wicked nor a criminal!”

This was the man known to the whole population of Athens as an eccentric character who carried on philosophical discussions in streets and market-places, in drinking-houses and brothels. He shunned no society, and was on equally intimate terms with Pericles, the head of the state, and with the licentious Alcibiades. He sat down to table with tradesmen and artisans, drank with sailors in the Piraeus, and lived himself with his family in the suburb Ceramicus. When it was asked why Socrates was always out of doors, his friends answered, “because he was not comfortable at home.” And when his more intimate friends asked how he could be on intimate terms with seamen and tax-gatherers, Socrates himself answered, “They are also men!”

At the philosopher’s side, and when he sat, standing behind him, was always to be seen a youth, whose broad brow attracted attention. This was his best disciple, whose real name was Aristokles, but who, on account of his forehead, had the nickname Plato.

Vying with him in an almost jealous rivalry to appear by the Master’s side, stood the beautiful Alcibiades.

The third after them was the stately austere Euripides, the tragic dramatist. Turning his back to the company, absorbed in thought and tracing designs on the ground, as though he were always at work, stood Phidias, the man “who made gods for Athens.” On the edge of the fountain sat a man with his legs dangling and his mouth perpetually moving, as though he were sharpening his tongue for thrust and counter-thrust; his brow was furrowed and worn as though with fruitless thought, his eyes glowered like those of a serpent watching for its prey. That was the Sophist, Protagoras, the reasoner for hire, who for a few figs or a pair of obols, could make black seem white, but was tolerated in this brilliant society, because he could carry on a dialogue. They used him to enliven their meetings, and pitted him in argument against Socrates, who, however, always entangled him in the meshes of his dialectic. At last came the one they expected. It was the head of the State, who would have been king had not the kingship been abolished. His appearance was majestic, but his entrance without a body-guard was like that of a simple citizen. He ruled also only by force of his personal qualities–wisdom, strength of will, moderation, forethought.

After exchanging greetings which showed that they had already met that day, for they had been celebrating the deliverance from Persia at the Salamis festival, the company sat down on the long semicircular marble seat, called the Hemicyklion. When all had taken their seats, which were reserved for each according to prescription, a silence followed which was unusual in this circle, for they were accustomed to assemble as if for an intellectual feast at every sunset. It was a symposium of minds, at which the excesses, according to Alcibiades, were only spiritual.

Alcibiades, the second youngest, but spoilt and aggressive, was the first to break the silence. “We have been celebrating the battle of Salamis, the day of our deliverance from the barbarians and the King of Persia, and I see we are tired.”