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PAGE 2

The Hall of Fantasy
by [?]

“Nor of that next to it,–Emanuel Swedenborg,” said he. “Were ever two men of transcendent imagination more unlike?”

In the centre of the hall springs an ornamental fountain, the water of which continually throws itself into new shapes and snatches the most diversified lines from the stained atmosphere around. It is impossible to conceive what a strange vivacity is imparted to the scene by the magic dance of this fountain, with its endless transformations, in which the imaginative beholder may discern what form he will. The water is supposed by some to flow from the same source as the Castalian spring, and is extolled by others as uniting the virtues of the Fountain of Youth with those of many other enchanted wells long celebrated in tale and song. Having never tasted it, I can bear no testimony to its quality.

“Did you ever drink this water?” I inquired of my friend.

“A few sips now and then,” answered he. “But there are men here who make it their constant beverage,–or, at least, have the credit of doing so. In some instances it is known to have intoxicating qualities.”

“Pray let us look at these water-drinkers,” said I.

So we passed among the fantastic pillars till we came to a spot where a number of persons were clustered together in the light of one of the great stained windows, which seemed to glorify the whole group as well as the marble that they trod on. Most of them were men of broad foreheads, meditative countenances, and thoughtful, inward eyes; yet it required but a trifle to summon up mirth, peeping out from the very midst of grave and lofty musings. Some strode about, or leaned against the pillars of the hall, alone and in silence; their faces wore a rapt expression, as if sweet music were in the air around them, or as if their inmost souls were about to float away in song. One or two, perhaps, stole a glance at the bystanders, to watch if their poetic absorption were observed. Others stood talking in groups, with a liveliness of expression, a ready smile, and a light, intellectual laughter, which showed how rapidly the shafts of wit were glancing to and fro among them.

A few held higher converse, which caused their calm and melancholy souls to beam moonlight from their eyes. As I lingered near them,– for I felt an inward attraction towards these men, as if the sympathy of feeling, if not of genius, had united me to their order,–my friend mentioned several of their names. The world has likewise heard those names; with some it has been familiar for years; and others are daily making their way deeper into the universal heart.

“Thank Heaven,” observed I to my companion, as we passed to another part of the hall, “we have done with this techy, wayward, shy, proud unreasonable set of laurel-gatherers. I love them in their works, but have little desire to meet them elsewhere.”

“You have adopted all old prejudice, I see,” replied my friend, who was familiar with most of these worthies, being himself a student of poetry, and not without the poetic flame. “But, so far as my experience goes, men of genius are fairly gifted with the social qualities; and in this age there appears to be a fellow-feeling among them which had not heretofore been developed. As men, they ask nothing better than to be on equal terms with their fellow-men; and as authors, they have thrown aside their proverbial jealousy, and acknowledge a generous brotherhood.”

“The world does not think so,” answered I. “An author is received in general society pretty much as we honest citizens are in the Hall of Fantasy. We gaze at him as if he had no business among us, and question whether he is fit for any of our pursuits.”