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PAGE 27

The Grey Woman
by [?]

I grew strong in time–stronger, at least. I was able to work a little at home, and to sun myself and my baby at the garret-window in the roof. It was all the air I dared to take. I constantly wore the disguise I had first set out with; as constantly had I renewed the disfiguring dye which changed my hair and complexion. But the perpetual state of terror in which I had been during the whole months succeeding my escape from Les Rochers made me loathe the idea of ever again walking in the open daylight, exposed to the sight and recognition of every passer-by. In vain Amante reasoned–in vain the doctor urged. Docile in every other thing, in this I was obstinate. I would not stir out. One day Amante returned from her work, full of news–some of it good, some such as to cause us apprehension. The good news was this; the master for whom she worked as journeyman was going to send her with some others to a great house at the other side of Frankfort, where there were to be private theatricals, and where many new dresses and much alteration of old ones would be required. The tailors employed were all to stay at this house until the day of representation was over, as it was at some distance from the town, and no one could tell when their work would be ended. But the pay was to be proportionately good.

The other thing she had to say was this: she had that day met the travelling jeweller to whom she and I had sold my ring. It was rather a peculiar one, given to me by my husband; we had felt at the time that it might be the means of tracing us, but we were penniless and starving, and what else could we do? She had seen that this Frenchman had recognised her at the same instant that she did him, and she thought at the same time that there was a gleam of more than common intelligence on his face as he did so. This idea had been confirmed by his following her for some way on the other side of the street; but she had evaded him with her better knowledge of the town, and the increasing darkness of the night. Still it was well that she was going to such a distance from our dwelling on the next day; and she had brought me in a stock of provisions, begging me to keep within doors, with a strange kind of fearful oblivion of the fact that I had never set foot beyond the threshold of the house since I had first entered it–scarce ever ventured down the stairs. But, although my poor, my dear, very faithful Amante was like one possessed that last night, she spoke continually of the dead, which is a bad sign for the living. She kissed you–yes! it was you, my daughter, my darling, whom I bore beneath my bosom away from the fearful castle of your father–I call him so for the first time, I must call him so once again before I have done–Amante kissed you, sweet baby, blessed little comforter, as if she never could leave off. And then she went away, alive.

Two days, three days passed away. That third evening I was sitting within my bolted doors–you asleep on your pillow by my side–when a step came up the stair, and I knew it must be for me; for ours were the top-most rooms. Some one knocked; I held my very breath. But some one spoke, and I knew it was the good Doctor Voss. Then I crept to the door, and answered.

‘Are you alone?’ asked I.

‘Yes,’ said he, in a still lower voice. ‘Let me in.’ I let him in, and he was as alert as I in bolting and barring the door. Then he came and whispered to me his doleful tale. He had come from the hospital in the opposite quarter of the town, the hospital which he visited; he should have been with me sooner, but he had feared lest he should be watched. He had come from Amante’s death-bed. Her fears of the jeweller were too well founded. She had left the house where she was employed that morning, to transact some errand connected with her work in the town; she must have been followed, and dogged on her way back through solitary wood-paths, for some of the wood-rangers belonging to the great house had found her lying there, stabbed to death, but not dead; with the poniard again plunged through the fatal writing, once more; but this time with the word ‘un’ underlined, so as to show that the assassin was aware of his precious mistake.