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PAGE 12

The Grey Woman
by [?]

To make you understand my story, I must now try to explain to you the plan of the chateau. It had been at one time a fortified place of some strength, perched on the summit of a rock, which projected from the side of the mountain. But additions had been made to the old building (which must have borne a strong resemblance to the castles overhanging the Rhine), and these new buildings were placed so as to command a magnificent view, being on the steepest side of the rock, from which the mountain fell away, as it were, leaving the great plain of France in full survey. The ground-plan was something of the shape of three sides of an oblong; my apartments in the modern edifice occupied the narrow end, and had this grand prospect. The front of the castle was old, and ran parallel to the road far below. In this were contained the offices and public rooms of various descriptions, into which I never penetrated. The back wing (considering the new building, in which my apartments were, as the centre) consisted of many rooms, of a dark and gloomy character, as the mountain-side shut out much of the sun, and heavy pine woods came down within a few yards of the windows. Yet on this side–on a projecting plateau of the rock–my husband had formed the flower-garden of which I have spoken; for he was a great cultivator of flowers in his leisure moments.

Now my bedroom was the corner room of the new buildings on the part next to the mountains. Hence I could have let myself down into the flower-garden by my hands on the window-sill on one side, without danger of hurting myself; while the windows at right angles with these looked sheer down a descent of a hundred feet at least. Going still farther along this wing, you came to the old building; in fact, these two fragments of the ancient castle had formerly been attached by some such connecting apartments as my husband had rebuilt. These rooms belonged to M. de la Tourelle. His bedroom opened into mine, his dressing-room lay beyond; and that was pretty nearly all I knew, for the servants, as well as he himself, had a knack of turning me back, under some pretence, if ever they found me walking about alone, as I was inclined to do, when first I came, from a sort of curiosity to see the whole of the place of which I found myself mistress. M. de la Tourelle never encouraged me to go out alone, either in a carriage or for a walk, saying always that the roads were unsafe in those disturbed times; indeed, I have sometimes fancied since that the flower-garden, to which the only access from the castle was through his rooms, was designed in order to give me exercise and employment under his own eye.

But to return to that night. I knew, as I have said, that M. de la Tourelle’s private room opened out of his dressing-room, and this out of his bedroom, which again opened into mine, the corner-room. But there were other doors into all these rooms, and these doors led into a long gallery, lighted by windows, looking into the inner court. I do not remember our consulting much about it; we went through my room into my husband’s apartment through the dressing-room, but the door of communication into his study was locked, so there was nothing for it but to turn back and go by the gallery to the other door. I recollect noticing one or two things in these rooms, then seen by me for the first time. I remember the sweet perfume that hung in the air, the scent bottles of silver that decked his toilet-table, and the whole apparatus for bathing and dressing, more luxurious even than those which he had provided for me. But the room itself was less splendid in its proportions than mine. In truth, the new buildings ended at the entrance to my husband’s dressing-room. There were deep window recesses in walls eight or nine feet thick, and even the partitions between the chambers were three feet deep; but over all these doors or windows there fell thick, heavy draperies, so that I should think no one could have heard in one room what passed in another. We went back into my room, and out into the gallery. We had to shade our candle, from a fear that possessed us, I don’t know why, lest some of the servants in the opposite wing might trace our progress towards the part of the castle unused by any one except my husband. Somehow, I had always the feeling that all the domestics, except Amante, were spies upon me, and that I was trammelled in a web of observation and unspoken limitation extending over all my actions.