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Edna laughed.

“So you have succumbed at first sight to our Croyden beauty? Of course I’ll introduce you, but I warn you beforehand that she is the most incorrigible flirt in Croyden or out of it. So take care.”

It jarred on me to hear Marian called a flirt. It seemed so out of keeping with her letters and the womanly delicacy and fineness revealed in them. But I reflected that women sometimes find it hard to forgive another woman who absorbs more than her share of lovers, and generally take their revenge by dubbing her a flirt, whether she deserves the name or not.

We had crossed the room during this reflection. Marian turned and stood before us, smiling at Edna, but evincing no recognition whatever of myself. It is a piquant experience to find yourself awaiting an introduction to a girl to whom you are virtually engaged.

“Dorothy dear,” said Edna, “this is my cousin, Mr. Curtis, from Vancouver. Eric, this is Miss Armstrong.”

I suppose I bowed. Habit carries us mechanically through many impossible situations. I don’t know what I looked like or what I said, if I said anything. I don’t suppose I betrayed my dire confusion, for Edna went off unconcernedly without another glance at me.

Dorothy Armstrong! Gracious powers–who–where–why? If this girl was Dorothy Armstrong who was Marian Lindsay? To whom was I engaged? There was some awful mistake somewhere, for it could not be possible that there were two girls in Croyden who looked exactly like the photograph reposing in my valise at that very moment. I stammered like a schoolboy.

“I–oh–I–your face seems familiar to me, Miss Armstrong. I–I–think I must have seen your photograph somewhere.”

“Probably in Peter Austin’s collection,” smiled Miss Armstrong. “He had one of mine before he was burned out. How is he?”

“Peter? Oh, he’s well,” I replied vaguely. I was thinking a hundred words to the second, but my thoughts arrived nowhere. I was staring at Miss Armstrong like a man bewitched. She must have thought me a veritable booby. “Oh, by the way–can you tell me–do you know a Miss Lindsay in Croyden?”

Miss Armstrong looked surprised and a little bored. Evidently she was not used to having newly introduced young men inquiring about another girl.

“Marian Lindsay? Oh, yes.”

“Is she here tonight?” I said.

“No, Marian is not going to parties just now, owing to the recent death of her aunt, who lived with them.”

“Does she–oh–does she look like you at all?” I inquired idiotically.

Amusement glimmered but over Miss Armstrong’s boredom. She probably concluded that I was some harmless lunatic.

“Like me? Not at all. There couldn’t be two people more dissimilar. Marian is quite dark. I am fair. And our features are altogether unlike. Why, good evening, Jack. Yes, I believe I did promise you this dance.”

She bowed to me and skimmed away with Jack. I saw Aunt Grace bearing down upon me and fled incontinently. In my own room I flung myself on a chair and tried to think the matter out. Where did the mistake come in? How had it happened? I shut my eyes and conjured up the vision of Peter’s room that day. I remembered vaguely that, when I had picked up Dorothy Armstrong’s picture, I had noticed another photograph that had fallen face downward beside it. That must have been Marian Lindsay’s, and Peter had thought I meant it.

And now what a position I was in! I was conscious of bitter disappointment. I had fallen in love with Dorothy Armstrong’s photograph. As far as external semblance goes it was she whom I loved. I was practically engaged to another woman–a woman who, in spite of our correspondence, seemed to me now, in the shock of this discovery, a stranger. It was useless to tell myself that it was the mind and soul revealed in those letters that I loved, and that that mind and soul were Marian Lindsay’s. It was useless to remember that Peter had said she was pretty. Exteriorly, she was a stranger to me; hers was not the face which had risen before me for nearly a year as the face of the woman I loved. Was ever unlucky wretch in such a predicament before?