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I had listened to the vicar’s Homeric lowing for the space of a minute or so–what some one has called, the great beast-like, bellow-like, roar and roll of the Iliad hexameter: it stopped like a cut cord. One of the numerous daughters of his house appeared in the arch of white cluster- roses on the lower garden-terrace, and with an exclamation, stood petrified at the extraordinary spectacle, and then she laughed outright. I had hitherto resisted, but the young lady’s frank and boisterous laughter carried me along, and I too let loose a peal, and discovered myself. The vicar, seeing me, acknowledged a consciousness of his absurd position with a laugh as loud. As for the scapegrace girl, she went off into a run of high-pitched shriekings like twenty woodpeckers, crying: I Mama, mama, you look as if you were in Jordan!’

The vicar cleared his throat admonishingly, for it was apparent that Miss Alice was giving offence to her mother, and I presume he thought it was enough for one of the family to have done so.

‘Wilt thou come out of Jordan?’ I cried.

‘I am sufficiently baptized with the water,’ said the helpless man. . .

‘Indeed, Mr. Amble,’ observed his spouse, ‘you can lecture a woman for not making the best of circumstances; I hope you’ll bear in mind that it’s you who are irreverent. I can endure this no longer. You deserve Mr. Pollingray’s ridicule.’

Upon this, I interposed: ‘Pray, ma’am, don’t imagine that you have anything but sympathy from me.’–but as I was protesting, having my mouth open, the terrible Miss Alice dragged the laughter remorselessly out of me.

They have been trying Frank’s new boat, Mr. Pollingray, and they’ve upset it. Oh! oh’ and again there was the woodpeckers’ chorus.

‘Alice, I desire you instantly to go and fetch John the gardener,’ said the angry mother.

‘Mama, I can’t move; wait a minute, only a minute. John’s gone about the geraniums. Oh! don’t look so resigned, papa; you’ll kill me! Mama, come and take my hand. Oh! oh!’

The young lady put her hands in against her waist and rolled her body like a possessed one.

‘Why don’t you come in through the boat-house?’ she asked when she had mastered her fit.

‘Ah!’ said the vicar. I beheld him struck by this new thought.

‘How utterly absurd you are, Mr. Amble!’ exclaimed his wife, ‘when you know that the boat-house is locked, and that the boat was lying under the camshot when you persuaded me to step into it.’

Hearing this explanation of the accident, Alice gave way to an ungovernable emotion.

‘You see, my dear,’ the vicar addressed his wife, she can do nothing; it’s useless. If ever patience is counselled to us, it is when accidents befall us, for then, as we are not responsible, we know we are in other hands, and it is our duty to be comparatively passive. Perhaps I may say that in every difficulty, patience is a life-belt. I beg of you to be patient still.’

‘Mr. Amble, I shall think you foolish,’ said the spouse, with a nod of more than emphasis.

My dear, you have only to decide,’ was the meek reply.

By this time, Miss Alice had so far conquered the fiend of laughter that she could venture to summon her mother close up to the bank and extend a rescuing hand. Mrs. Amble waded to within reach, her husband following. Arrangements were made for Alice to pull, and the vicar to push; both in accordance with Mrs. Amble’s stipulations, for even in her extremity of helplessness she affected rule and sovereignty. Unhappily, at the decisive moment, I chanced (and I admit it was more than an inadvertence on my part, it was a most ill-considered thing to do) I chanced, I say, to call out–and that I refrained from quoting Voltaire is something in my favour: