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PAGE 9

The Frame Up
by [?]

“I don’t believe you,” he said quietly.

The manner of the woman was equally calm, equally assured.

“Will you see her?” she asked.

“I’d rather see my brother-in-law,” he answered

The woman handed him a card.

“Doctor Muir took him to his private hospital,” she said. “I loaned them my car because it’s a limousine. The address is on that card. But,” she added, “both your brother and Sammy– that’s Sam Muir, the doctor–asked you wouldn’t use the telephone; they’re afraid of a leak.”

Apparently Wharton did not hear her. As though it were “Exhibit A,” presented in evidence by the defense, he was studying the card she had given him. He stuck it in his pocket.

” I’ll go to him at once,” he said.

To restrain or dissuade him, the woman made no sudden move. In level tones she said:

“Your brother-in-law asked especially that you wouldn’t do that until you’d fixed it with the girl. Your face is too well known. He’s afraid some one might find out where he is– and for a day or two no one must know that.”

“This doctor knows it,” retorted Wharton.

The suggestion seemed to strike Mrs. Earle as humorous. For the first time she laughed. “Sammy!” she exclaimed. “He’s a lobbygow of mine. He’s worked for me for years. I could send him up the river if I liked. He knows it.” Her tone was convincing. “They both asked,” she continued evenly, “you should keep off until the girl is out of the country, and fixed.” Wharton frowned thoughtfully.

And, observing this, the eyes of the woman showed that, so far, toward the unfortunate incident the attitude of the district attorney was to her most gratifying. Wharton ceased frowning. “How fixed?” he asked. Mrs. Earle shrugged her shoulders.

“Cutler’s idea is money,” she said; “but, believe me, he’s wrong. This girl is a vampire. She’ll only come back to you for more. She’ll keep on threatening to tell the wife, to tell the papers. The way to fix her is to throw a scare into her. And there’s only one man can do that; there’s only one man that can hush this thing up–that’s you.”

“When can I see her?” asked Wharton.

“Now,” said the woman. “I’ll bring her.” Wharton could not suppress an involuntary “Here?” he exclaimed.

For the shade of a second Mrs. Earle exhibited the slightest evidence of embarrassment.

“My room’s in a mess,” she explained; “and she’s not hurt so much as Sammy said. He told her she was in bad just to keep her quiet until you got here.”

Mrs. Earle opened one of the doors leading from the room. “I won’t be a minute,” she said. Quietly she closed the door behind her.

Upon her disappearance the manner of the district attorney underwent an abrupt change. He ran softly to the door opposite the one through which Mrs. Earle had passed, and pulled it open. But, if beyond it he expected to find an audience of eavesdroppers, he was disappointed. The room was empty, and bore no evidence of recent occupation. . He closed the door, and, from the roller-top desk, snatching a piece of paper, scribbled upon it hastily. Wrapping the paper around a coin, and holding it exposed to view, he showed himself at the window. Below him, to an increasing circle of hens and pigeons, Nolan was still scattering crumbs. Without withdrawing his gaze from them, the chauffeur nodded. Wharton opened his hand and the note fell into the yard. Behind him he heard the murmur of voices, the sobs of a woman in pain, and the rattle of a door-knob. As from the window he turned quickly, he saw that toward the spot where his note had fallen Nolan was tossing the last remnants of his sandwich.

The girl who entered with Mrs. Earle, leaning on her and supported by her, was tall and fair. Around her shoulders her blond hair hung in disorder, and around her waist, under the kimono Mrs. Earle had thrown about her, were wrapped many layers of bandages. The girl moved unsteadily and sank into a chair.