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The Figure in the Carpet
by
She had been expecting me and was ready. She gave a long slow soundless headshake, merciful only in being inarticulate. This mercy didn’t prevent its hurling at me the largest finest coldest “Never!” I had yet, in the course of a life that had known denials, had to take full in the face. I took it and was aware that with the hard blow the tears had come into my eyes. So for a while we sat and looked at each other; after which I slowly rose, I was wondering if some day she would accept me; but this was not what I brought out. I said as I smoothed down my hat: “I know what to think then. It’s nothing!”
A remote disdainful pity for me gathered in her dim smile; then she spoke in a voice that I hear at this hour: “It’s my LIFE!” As I stood at the door she added: “You’ve insulted him!”
“Do you mean Vereker?”
“I mean the Dead!”
I recognised when I reached the street the justice of her charge. Yes, it was her life–I recognised that too; but her life none the less made room with the lapse of time for another interest. A year and a half after Corvick’s death she published in a single volume her second novel, “Overmastered,” which I pounced on in the hope of finding in it some tell-tale echo or some peeping face. All I found was a much better book than her younger performance, showing I thought the better company she had kept. As a tissue tolerably intricate it was a carpet with a figure of its own; but the figure was not the figure I was looking for. On sending a review of it to The Middle I was surprised to learn from the office that a notice was already in type. When the paper came out I had no hesitation in attributing this article, which I thought rather vulgarly overdone, to Drayton Deane, who in the old days had been something of a friend of Corvick’s, yet had only within a few weeks made the acquaintance of his widow. I had had an early copy of the book, but Deane had evidently had an earlier. He lacked all the same the light hand with which Corvick had gilded the gingerbread–he laid on the tinsel in splotches.
CHAPTER X.
Six months later appeared “The Right of Way,” the last chance, though we didn’t know it, that we were to have to redeem ourselves. Written wholly during Vereker’s sojourn abroad, the book had been heralded, in a hundred paragraphs, by the usual ineptitudes. I carried it, as early a copy as any, I this time flattered myself, straightway to Mrs. Corvick. This was the only use I had for it; I left the inevitable tribute of The Middle to some more ingenious mind and some less irritated temper. “But I already have it,” Gwendolen said. “Drayton Deane was so good as to bring it to me yesterday, and I’ve just finished it.”
“Yesterday? How did he get it so soon?”
“He gets everything so soon! He’s to review it in The Middle.”
“He–Drayton Deane–review Vereker?” I couldn’t believe my ears.
“‘Why not? One fine ignorance is as good as another.”
I winced but I presently said: “You ought to review him yourself!”
“I don’t ‘review,'” she laughed. “I’m reviewed!”
Just then the door was thrown open. “Ah yes, here’s your reviewer!” Drayton Deane was there with his long legs and his tall forehead: he had come to see what she thought of “The Right of Way,” and to bring news that was singularly relevant. The evening papers were just out with a telegram on the author of that work, who, in Rome, had been ill for some days with an attack of malarial fever. It had at first not been thought grave, but had taken, in consequence of complications, a turn that might give rise to anxiety. Anxiety had indeed at the latest hour begun to be felt.