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PAGE 6

The Eternal Moment
by [?]

He was too delicate to admit, even to himself, the desirability of marrying two thousand a year. But it lent an unacknowledged perfume to his thoughts. He tore Nelly’s letter into little pieces, and dropped them into the darkness out of the bedroom window.

"Funny lady!" he murmured, as he looked towards Vorta, trying to detect the campanile in the growing light of the moon. "Why have you gone to be uncomfortable? Why will you interfere in the quarrels of people who can’t understand you, and whom you don’t understand? How silly you are to think you’ve caused them. You think you’ve written a book which has spoilt the place and made the inhabitants corrupt and sordid. I know just how you think. So you will make yourself unhappy, and go about trying to put right what never was right. Funny lady!"

Close below him he could now see the white fragments of his sister’s letter. In the valley the campanile appeared, rising out of wisps of silvery vapour.

"Dear lady!" he whispered, making towards the village a little movement with his hands.

II

Miss Raby’s first novel, The Eternal Moment, was written round the idea that man does not live by time alone, that an evening gone may become like a thousand ages in the courts of heaven—the idea that was afterwards expounded more philosophically by Maeterlinck. She herself now declared that it was a tiresome, affected book, and that the title suggested the dentist’s chair. But she had written it when she was feeling young and happy; and that, rather than maturity, is the hour in which to formulate a creed. As years pass, the conception may become more solid, but the desire and the power to impart to others are alike weakened. It did not altogether displease her that her earliest work had been her most ambitious.

By a strange fate, the book made a great sensation, especially in the unimaginative circles. Idle people interpreted it to mean that there was no harm in wasting time, vulgar people that there was no harm in being fickle, pious people interpreted it as an attack on morality. The authoress became well known in society, where her enthusiasm for the lower classes only lent her an additional charm. That very year Lady Anstey, Mrs Heriot, the Marquis of Bamburgh, and many others, penetrated to Vorta, where the scene of the book was laid.

They returned enthusiastic. Lady Anstey exhibited her water-colour drawings; Mrs Heriot, who photographed, wrote an article in The Strand; while The Nineteenth Century published a long description of the place by the Marquis of Bamburgh, entitled "The Modern Peasant, and his Relations with Roman Catholicism. "

Thanks to these efforts, Vorta became a rising place, and people who liked being off the beaten track went there, and pointed out the way to others. Miss Raby, by a series of trivial accidents, had never returned to the village whose rise was so intimately connected with her own. She had heard from time to time of its progress. It had also been whispered that an inferior class of tourists was finding it out, and, fearing to find something spoilt, she had at last a certain diffidence in returning to scenes which had given her so much pleasure. Colonel Leyland persuaded her; he wanted a cool healthy spot for the summer, where he could read and talk and find walks suitable for an athletic invalid. Their friends laughed; their acquaintances gossiped; their relatives were furious. But he was courageous and she was indifferent. They had accomplished the expedition under the scanty ægis of Elizabeth.

Her arrival was saddening. It displeased her to see the great hotels in a great circle, standing away from the village where all life should have centred. Their illuminated titles, branded on the tranquil evening slopes, still danced in her eyes. And the monstrous Hôtel des Alpes haunted her like a nightmare. In her dreams she recalled the portico, the ostentatious lounge, the polished walnut bureau, the vast rack for the bedroom keys, the panoramic bedroom crockery, the uniform of the officials, and the smell of smart people—which is to some nostrils quite as depressing as the smell of poor ones. She was not enthusiastic over the progress of civilization, knowing by Eastern experiences that civilization rarely puts her best foot foremost, and is apt to make the barbarians immoral and vicious before her compensating qualities arrive. And here there was no question of progr
ess: the world had more to learn from the village than the village from the world.