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Now he was out of work, or so it seemed; he had stepped down from his scarlet-coated dignity, from the place of guardian and guide to civilization, into the idleness of a tavern stoop.

As the little group swayed round him, and Billy Goat started another song, Foyle roused himself as though to move away–he was waiting for the mail-stage to take him south–

“Oh, father, dear father, come home with me now,
The clock in the steeple strikes one;
You said you were coming right home from the shop
As soon as your day’s work was done.
Come home–come home–“

The song arrested him, and he leaned back against the window again. A curious look came into his eyes, a look that had nothing to do with the acts of the people before him. It was searching into a scene beyond this bright sunlight and the far green-brown grass, and the little oasis of trees in the distance marking a homestead, and the dust of the wagon-wheels out on the trail beyond the grain-elevator–beyond the blue horizon’s rim, quivering in the heat, and into regions where this crisp, clear, life-giving, life-saving air never blew.

“You said you were coming right home from the shop
As soon as your day’s work was done.
Come home–come home–“

He remembered when he had first heard this song in a play called Ten Nights in a Bar-Room, many years before, and how it had wrenched his heart and soul, and covered him with a sudden cloud of shame and anger. For his father had been a drunkard, and his brother had grown up a drunkard, that brother whom he had not seen for ten years until–until–

He shuddered, closed his eyes, as though to shut out something that the mind saw. He had had a rough life, he had become inured to the seamy side of things–there was a seamy side even in this clean, free, wide land; and he had no sentimentality; though something seemed to hurt and shame him now.

“As soon as your day’s work was done. Come home–come home–“

The crowd was uproarious. The exhilaration had become a kind of delirium. Men were losing their heads; there was an element of irresponsibility in the new outbreak likely to breed some violent act, which every man of them would lament when sober again.

Nettlewood Foyle watched the dust rising from the wheels of the stage, which had passed the elevator and was nearing the Prairie Home Hotel, far down the street. He would soon leave behind him this noisy ribaldry of which he was the centre. He tossed his cheroot away. Suddenly he heard a low voice behind him.

“Why don’t you hit out, sergeant?” it said.

He started almost violently, and turned round. Then his face flushed, his eyes blurred with feeling and deep surprise, and his lips parted in a whispered exclamation and greeting.

A girl’s face from the shade of the sitting-room was looking out at him, half smiling, but with heightened color and a suppressed agitation. The girl was not more than twenty-five, graceful, supple, and strong. Her chin was dimpled; across her right temple was a slight scar. She had eyes of a wonderful deep blue; they seemed to swim with light. As Foyle gazed at her for a moment dumfounded, with a quizzical suggestion and smiling still a little more, she said:

“You used to be a little quicker, Nett.” The voice appeared to attempt unconcern; but it quivered from a force of feeling underneath. It was so long since she had seen him.

He was about to reply, but, at the instant, a reveller pushed him with a foot behind the knees so that they were sprung forward. The crowd laughed–all save Billy Goat, who knew his man.

Like lightning, and with cold fury in his eyes, Foyle caught the tall cattleman by the forearm, and, with a swift, dexterous twist, had the fellow in his power.