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They passed within a finger touch of Lady Muriel.

The woman was quick to act. There would be no borrowing from Bramwell Winton. He would now, with this expedition on the way, have no penny for another. But here before her, as though arranged by favor of Fatality, was something evidently of enormous value that she could cash in to Hecklemeir.

There was fame and fortune on the bottom of that dispatch box.

Something that would have been the greatest find of the age to Tony Halleck . . . something that the biologist, clearly from his words and manner, valued beyond the gold plates of Sir Hector Bartlett.

It was a thing that Hecklemeir would buy with money . . . the very thing which he would be at this opportune moment interested to purchase. She saw it in the very first comprehensive glance.

Her luck was holding Fortune was more than favorable, merely. It exercised itself actively, with evident concern, in her behalf.

Lady Muriel went swiftly into the room. She slipped the key from under the pile of journals and crossed to the safe sitting against the wall.

It was an old safe of some antediluvian manufacture and the lock was worn. The stem of the key was smooth and it slipped in her gloved hands. She could not hold it firm enough to turn the lock. Finally with her bare fingers and with one hand to aid the other she was able to move the lock and so open the safe.

She heard the door to the street close below, and the faint sound of Bramwell Winton’s footsteps as though he went along the hall into the service portion of the house. She was nervous and hurried, but this reassured her.

The battered dispatch box sat within on the empty bottom of the a safe.

She lifted the lid; an automatic pistol lay on a limp leather-backed journal, stained, discolored and worn. Lady Muriel slipped her hand under these articles and lifted out the thing she sought.

Even in the pressing haste of her adventure, the woman could not forbear to look at the thing upon which these two men set so great a value. She stopped then a moment on her knees beside the safe, the prized article in her hands.

A map, evidently drawn with extreme care, was before her. She glanced at it hastily and turned the thing quickly over. What she saw amazed and puzzled her. Even in this moment of tense emotions she was astonished: She saw a pool of water, – not a pool of water in the ordinary sense – but a segment of water, as one would take a certain limited area of the surface of the sea or a lake or river. It was amber-colored and as smooth as glass, and on the surface of this water, as though they floated, were what appeared to be three, reddish-purple colored flowers, and beneath them on the bottom of the water were huge indistinct shadows.

The water was not clear to make out the shadows. But the appearing flowers were delicately painted. They stood out conspicuously on the glassy surface of the water as though they were raised above it.

Amazement held the woman longer than she thought, over this extraordinary thing. Then she thrust it into the bosom of her jacket, fastening the button securely over it.

The act kept her head down. When she lifted it Bramwell Winton was standing in the door.

In terror her hand caught up the automatic pistol out of the tin box. She acted with no clear, no determined intent. It was a gesture of fear and of indecision; escape through menace was perhaps the subconscious motive; the most primitive, the most common motive of all creatures in the corner. It extends downward from the human mind through all life.

To spring up, to drag the veil over her face with her free hand, and to thrust the weapon at the figure in the doorway was all simultaneous and instinctive acts in the expression of this primordial impulse of escape through menace.