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Mr. Aram’s eyes dropped to the page of manuscript in his hand and rested there for some little time. Then he said, without raising his head, “I haven’t signed this.”

“No,” replied the editor; “but you signed the second page, which I still have in my hand.”

The editor and his companion expected some expression of indignation from Mr. Aram at this, some question of their right to come into his house and cross-examine him and to accuse him, tentatively at least, of literary fraud, but they were disappointed. Mr. Aram’s manner was still one of absolute impassibility. Whether this manner was habitual to him they could not know, but it made them doubt their own judgment in having so quickly accused him, as it bore the look of undismayed innocence.

It was the reporter who was the first to break the silence. “Perhaps some one has signed Mr. Aram’s name–the clerk who sent it, for instance.”

Young Mr. Aram looked up at him curiously, and held out his hand for the second page. “Yes,” he drawled, “that’s how it happened. That’s not my signature. I never signed that.”

The editor was growing restless. “I have several other poems here from you,” he said; “one written from the rooms of the Shakespeare Debating Club, of which I see you are president. Your clerk could not have access there, could he? He did not write that, too?”

“No,” said Mr. Aram, doubtfully, “he could not have written that.”

The editor handed him the poem. “It’s yours, then?”

“Yes, that’s mine,” Mr. Aram replied.

“And the signature?”

“Yes, and the signature. I wrote that myself,” Mr. Aram explained, “and sent it myself. That other one (‘Bohemia’) I just copied out to remember, but this is original with me.”

“And the envelope in which it was enclosed,” asked the editor, “did you address that also?”

Mr. Aram examined it uninterestedly. “Yes, that’s my handwriting too.” He raised his head. His face wore an expression of patient politeness.

“Oh!” exclaimed the editor, suddenly, in some embarrassment. “I handed you the wrong envelope. I beg your pardon. That envelope is the one in which ‘Bohemia’ came.”

The reporter gave a hardly perceptible start; his eyes were fixed on the pattern of the rug at his feet, and the editor continued to examine the papers in his hand. There was a moment’s silence. From outside came the noise of children playing in the street and the rapid rush of a passing wagon.

When the two visitors raised their heads Mr. Aram was looking at them strangely, and the fingers folded in his lap were twisting in and out.

“This Shakespeare Debating Club,” said the editor, “where are its rooms, Mr. Aram?”

“It has no rooms, now,” answered the poet. “It has disbanded. It never had any regular rooms; we just met about and read.”

“I see–exactly,” said the editor. “And the house on Seventh Avenue from which your third poem was sent–did you reside there then, or have you always lived here?”

“No, yes–I used to live there–I lived there when I wrote that poem.”

The editor looked at the reporter and back at Mr. Aram. “It is a vacant lot, Mr. Aram,” he said, gravely.

There was a long pause. The poet rocked slowly up and down in his rocking-chair, and looked at his hands, which he rubbed over one another as though they were cold. Then he raised his head and cleared his throat.

“Well, gentlemen,” he said, “you have made out your case.”

“Yes,” said the editor, regretfully, “we have made out our case.” He could not help but wish that the fellow had stuck to his original denial. It was too easy a victory.

“I don’t say, mind you,” went on Mr. Aram, “that I ever took anybody’s verses and sent them to a paper as my own, but I ask you, as one gentleman talking to another, and inquiring for information, what is there wrong in doing it? I say, if I had done it, which I don’t admit I ever did, where’s the harm?”