**** ROTATE **** **** ROTATE **** **** ROTATE **** **** ROTATE ****

Find this Story

Print, a form you can hold

Wireless download to your Amazon Kindle

Look for a summary or analysis of this Story.

Enjoy this? Share it!

PAGE 4

The Dream-Gown Of The Japanese Ambassador
by [?]

Then the faithful horse sprang forward and bit the dreadful creature full upon the neck and tore away the scales, so that its master’s sword could pierce the armored hide. So the man was able to dissever the ghastly head and thus to slay the monstrous dragon. The blackness of night wrapped him about once more as he fell on his knees and gave thanks for his victory; and the wind died away again.

IV

Only a few minutes later, so it seemed to him, Cosmo Waynflete became doubtfully aware of another change of time and place–of another transformation of his own being. He knew himself to be alone once more, and even without his trusty charger. Again he found himself groping in the dark. But in a little while there was a faint radiance of light, and at last the moon came out behind a tower. Then he saw that he was not by the roadside in Japan or in the desert of Persia, but now in some unknown city of Southern Europe, where the architecture was hispano-moresque. By the silver rays of the moon he was able to make out the beautiful design damascened upon the blade of the sword which he held now in his hand ready drawn for self-defence.

Then he heard hurried footfalls down the empty street, and a man rushed around the corner pursued by two others, who had also weapons in their hands. For a moment Cosmo Waynflete was a Spaniard, and to him it was a point of honor to aid the weaker party. He cried to the fugitive to pluck up heart and to withstand the enemy stoutly. But the hunted man fled on, and after him went one of the pursuers, a tall, thin fellow, with a long black cloak streaming behind him as he ran.

The other of the two, a handsome lad with fair hair, came to a halt and crossed swords with Cosmo, and soon showed himself to be skilled in the art of fence. So violent was the young fellow’s attack that in the ardor of self-defence Cosmo ran the boy through the body before he had time to hold his hand or even to reflect.

The lad toppled over sideways. “Oh, my mother!” he cried, and in a second he was dead. While Cosmo bent over the body, hasty footsteps again echoed along the silent thoroughfare. Cosmo peered around the corner, and by the struggling moonbeams he could see that it was the tall, thin fellow in the black cloak, who was returning with half a score of retainers, all armed, and some of them bearing torches.

Cosmo turned and fled swiftly, but being a stranger in the city he soon lost himself in its tortuous streets. Seeing a light in a window and observing a vine that trailed from the balcony before it, he climbed up boldly, and found himself face to face with a gray-haired lady, whose visage was beautiful and kindly and noble. In a few words he told her his plight and besought sanctuary. She listened to him in silence, with exceeding courtesy of manner, as though she were weighing his words before making up her mind. She raised the lamp on her table and let its beams fall on his lineaments. And still she made no answer to his appeal.

Then came a glare of torches in the street below and a knocking at the door. Then at last the old lady came to a resolution; she lifted the tapestry at the head of her bed and told him to bestow himself there. No sooner was he hidden than the tall, thin man in the long black cloak entered hastily. He greeted the elderly lady as his aunt, and he told her that her son had been set upon by a stranger in the street and had been slain. She gave a great cry and never took her eyes from his face. Then he said that a servant had seen an unknown man climb to the balcony of her house. What if it were the assassin of her son? The blood left her face and she clutched at the table behind her, as she gave orders to have the house searched.