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The days drifted onward. Often he would vehemently pursue some sylvan sport, till thought and feeling were lost in the violence of bodily exertion. Occasionally his evenings were spent at a small public-house, such as stood by the unfrequented wayside, where the welcome, hearty, though bought, seemed so strongly to contrast with the gloomy negligence of home–unsympathising home.

One evening (Owen might be four or five-and-twenty), wearied with a day’s shooting on the Clenneny Moors, he passed by the open door of “The Goat” at Penmorfa. The light and the cheeriness within tempted him, poor self-exhausted man! as it has done many a one more wretched in worldly circumstances, to step in, and take his evening meal where at least his presence was of some consequence. It was a busy day in that little hostel. A flock of sheep, amounting to some hundreds, had arrived at Penmorfa, on their road to England, and thronged the space before the house. Inside was the shrewd, kind-hearted hostess, bustling to and fro, with merry greetings for every tired drover who was to pass the night in her house, while the sheep were penned in a field close by. Ever and anon, she kept attending to the second crowd of guests, who were celebrating a rural wedding in her house. It was busy work to Martha Thomas, yet her smile never flagged; and when Owen Griffiths had finished his evening meal she was there, ready with a hope that it had done him good, and was to his mind, and a word of intelligence that the wedding-folk were about to dance in the kitchen, and the harper was the famous Edward of Corwen.

Owen, partly from good-natured compliance with his hostess’s implied wish, and partly from curiosity, lounged to the passage which led to the kitchen–not the every-day, working, cooking kitchen, which was behind, but a good-sized room, where the mistress sat, when her work was done, and where the country people were commonly entertained at such merry-makings as the present. The lintels of the door formed a frame for the animated picture which Owen saw within, as he leaned against the wall in the dark passage. The red light of the fire, with every now and then a falling piece of turf sending forth a fresh blaze, shone full upon four young men who were dancing a measure something like a Scotch reel, keeping admirable time in their rapid movements to the capital tune the harper was playing. They had their hats on when Owen first took his stand, but as they grew more and more animated they flung them away, and presently their shoes were kicked off with like disregard to the spot where they might happen to alight. Shouts of applause followed any remarkable exertion of agility, in which each seemed to try to excel his companions. At length, wearied and exhausted, they sat down, and the harper gradually changed to one of those wild, inspiring national airs for which he was so famous. The thronged audience sat earnest and breathless, and you might have heard a pin drop, except when some maiden passed hurriedly, with flaring candle and busy look, through to the real kitchen beyond. When he had finished his beautiful theme on “The March of the men of Harlech,” he changed the measure again to “Tri chant o’ bunnan” (Three hundred pounds), and immediately a most unmusical-looking man began chanting “Pennillion,” or a sort of recitative stanzas, which were soon taken up by another, and this amusement lasted so long that Owen grew weary, and was thinking of retreating from his post by the door, when some little bustle was occasioned, on the opposite side of the room, by the entrance of a middle-aged man, and a young girl, apparently his daughter. The man advanced to the bench occupied by the seniors of the party, who welcomed him with the usual pretty Welsh greeting, “Pa sut mae dy galon?” (“How is thy heart?”) and drinking his health passed on to him the cup of excellent cwrw. The girl, evidently a village belle, was as warmly greeted by the young men, while the girls eyed her rather askance with a half-jealous look, which Owen set down to the score of her extreme prettiness. Like most Welsh women, she was of middle size as to height, but beautifully made, with the most perfect yet delicate roundness in every limb. Her little mob-cap was carefully adjusted to a face which was excessively pretty, though it never could be called handsome. It also was round, with the slightest tendency to the oval shape, richly coloured, though somewhat olive in complexion, with dimples in cheek and chin, and the most scarlet lips Owen had ever seen, that were too short to meet over the small pearly teeth. The nose was the most defective feature; but the eyes were splendid. They were so long, so lustrous, yet at times so very soft under their thick fringe of eyelash! The nut-brown hair was carefully braided beneath the border of delicate lace: it was evident the little village beauty knew how to make the most of all her attractions, for the gay colours which were displayed in her neckerchief were in complete harmony with the complexion.