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The Devotion of Enriquez
by
“Suthin’ of Rubinstein. Heard him once,” said a gentleman of Siskiyou. “He just made that pianner get up and howl. Play Rube.”
She shook her head with parted lips and a slight touch of girlish coquetry in her manner. Then her fingers suddenly dropped upon the keys with a glassy tinkle; there were a few quick pizzicato chords, down went the low pedal with a monotonous strumming, and she presently began to hum to herself. I started–as well I might–for I recognized one of Enriquez’ favorite and most extravagant guitar solos. It was audacious; it was barbaric; it was, I fear, vulgar. As I remembered it–as he sang it–it recounted the adventures of one Don Francisco, a provincial gallant and roisterer of the most objectionable type. It had one hundred and four verses, which Enriquez never spared me. I shuddered as in a pleasant, quiet voice the correct Miss Mannersley warbled in musical praise of the PELLEJO, or wineskin, and a eulogy of the dicebox came caressingly from her thin red lips. But the company was far differently affected: the strange, wild air and wilder accompaniment were evidently catching; people moved toward the piano; somebody whistled the air from a distant corner; even the faces of the geologist and doctor brightened.
“A tarantella, I presume?” blandly suggested the doctor.
Miss Mannersley stopped, and rose carelessly from the piano. “It is a Moorish gypsy song of the fifteenth century,” she said dryly.
“It seemed sorter familiar, too,” hesitated one of the young men, timidly, “like as if–don’t you know?–you had without knowing it, don’t you know?”–he blushed slightly–“sorter picked it up somewhere.”
“I ‘picked it up,’ as you call it, in the collection of medieval manuscripts of the Harvard Library, and copied it,” returned Miss Mannersley coldly as she turned away.
But I was not inclined to let her off so easily. I presently made my way to her side. “Your uncle was complimentary enough to consult me as to the meaning of the appearance of a certain exuberant Spanish visitor at his house the other night.” I looked into her brown eyes, but my own slipped off her velvety pupils without retaining anything. Then she reinforced her gaze with a pince-nez, and said carelessly:
“Oh, it’s you? How are you? Well, could you give him any information?”
“Only generally,” I returned, still looking into her eyes. “These people are impulsive. The Spanish blood is a mixture of gold and quicksilver.”
She smiled slightly. “That reminds me of your volatile friend. He was mercurial enough, certainly. Is he still dancing?”
“And singing sometimes,” I responded pointedly. But she only added casually, “A singular creature,” without exhibiting the least consciousness, and drifted away, leaving me none the wiser. I felt that Enriquez alone could enlighten me. I must see him.
I did, but not in the way I expected. There was a bullfight at San Antonio the next Saturday afternoon, the usual Sunday performance being changed in deference to the Sabbatical habits of the Americans. An additional attraction was offered in the shape of a bull-and-bear fight, also a concession to American taste, which had voted the bullfight “slow,” and had averred that the bull “did not get a fair show.” I am glad that I am able to spare the reader the usual realistic horrors, for in the Californian performances there was very little of the brutality that distinguished this function in the mother country. The horses were not miserable, worn-out hacks, but young and alert mustangs; and the display of horsemanship by the picadors was not only wonderful, but secured an almost absolute safety to horse and rider. I never saw a horse gored; although unskillful riders were sometimes thrown in wheeling quickly to avoid the bull’s charge, they generally regained their animals without injury.