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The Death Mask
by
Peschi, unlocking a door, flashed the light down a long room, the walls of which, the trestle-tables, the very floor, were hung, laden, and encumbered with a thousand heterogeneous objects. Casts of every description and dimension, finished, unfinished, broken; scrolls for ceilings; caryatides for chimney-pieces; cornucopias for the entablatures of buildings; chubby Cupids jostling emaciated Christs; broken columns for Père Lachaise, or consolatory upward-pointing angels; hands, feet, and noses for the Schools of Art; a pensively posed échorchécontemplating a Venus of Milo fallen upon her back; these, and a crowd of nameless, formless things, seemed to spring at our eyes, as Peschi raised or lowered the lamp, moved it this way or the other.
“There it is,” said he, pointi
ng forwards; and I saw lying flat upon a modelling-board, with upturned features, a grey, immobile simulacrum of the curiously mobile face I remembered so well.
“Of course you must understand,” said Peschi, “it’s only in the rough, just exactly as it came from the creux. Fifty copies are to be cast altogether, and this is the first one. But I must prop it up for you. You can’t judge of it as it is.”
He looked about him for a free place on which to set the lamp. Not finding any, he put it down on the floor. For a few moments he stood busied over the mask with his back to us.
“Now you can see it properly,” said he, and stepped aside.
The lamp threw its rays upwards, illuminating strongly the lower portion of the cast, throwing the upper portion into deepest shadow, with the effect that the inanimate mask was become suddenly a living face, but a face so unutterably repulsive, so hideously bestial, that I grew cold to the roots of my hair…. . A fat, loose throat, a retreating chinless chin, smeared and bleared with the impressions of the meagre beard; a vile mouth, lustful, flaccid, the lower lip disproportionately great; ignoble lines; hateful puffiness; something inhuman and yet worse than inhuman in its travesty of humanity; something that made you hate the world and your fellows, that made you hate yourself for being ever so little in thisimage. A more abhorrent spectacle I have never seen…. .
So soon as I could turn my eyes from the ghastly thing, I looked at Corner. He was white as the plaster faces about him. His immensely opened eyes showed his astonishment and his terror. For what I experienced was intensified in his case by the unexpected and complete disillusionment. He had opened the door of the tabernacle, and out had crawled a noisome spider; he had lifted to his lips the communion cup, and therein squatted a toad. A sort of murmur of frantic protestation began to rise in his throat; but Peschi, unconscious of our agitation, now lifted the lamp, passed round with it behind the mask, held it high, and let the rays stream downwards from above.
The astounding way the face changed must have been seen to be believed in. It was exactly as though, by some cunning sleight of hand, the mask of a god had been substituted for that of a satyr…. . You saw a splendid dome-like head, Shakespearean in contour; a broad, smooth, finely-modelled brow; thick, regular horizontal eyebrows, casting a shadow which diminished the too great distance separating them from the eyes; while the deeper shadow thrown below the nose altered its character entirely. Its snout-like appearance was gone, its deep, wide-open, upturned nostrils were hidden, but you noticed the well-marked transition from forehead to nose-base, the broad ridge denoting extraordinary mental power. Over the eyeballs the lids had slidden down smooth and creaseless; the little tell-tale palpebral wrinkles which had given such libidinous lassitude to the eye had vanished away. The lips no longer looked gross, and they closed together in a beautiful, sinuous line, now first revealed by the shadow on the upper one. The prominence of the jaws, the muscularity of the lower part of the face, which gave it so painfully microcephalous an appearance, were now unnoticeable; on the contrary, the whole face looked small beneath the noble head and brow. You remarked the medium-sized and wellformed ears, with the “swan” distinct in each, the gently-swelling breadth of head above them, the full development of the forehead over the orbits of the eyes. You discerned the presence of those higher qualities which might have rendered him an ascetic or a saint; which led him to understand the beauty of self-denial, to appreciate the wisdom of self-restraint: and you did not see how these qualities remained inoperative in him, being completely overbalanced by the size of the lower brain, the thick, bull throat, and the immense length from the ear to the base of the skull at the back.