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The Death House
by
It is made up of two rows of cells, some eighteen or twenty in all, a little more modern in construction than the twelve hundred archaic caverns that pass for cells in the main prison.
At each end of the corridor sat a guard, armed, with eyes never off the rows of cells day or night.
In the wall, on one side, was a door–the little green door–the door from the death house to the death chamber.
While Kennedy was talking to the prisoner, a guard volunteered to show me the death chamber and the “chair.” No other furniture was there in the little brick house of one room except this awful chair, of yellow oak with broad, leather straps. There it stood, the sole article in the brightly varnished room of about twenty- five feet square with walls of clean blue, this grim acolyte of modern scientific death. There were the wet electrodes that are fastened to the legs through slits in the trousers at the calves; above was the pipe-like fixture, like a gruesome helmet of leather that fits over the head, carrying the other electrode.
Back of the condemned was the switch which lets loose a lethal store of energy, and back of that the prison morgue where the bodies are taken. I looked about. In the wall to the left toward the death house was also a door, on this side yellow. Somehow I could not get from my mind the fascination of that door–the threshold of the grave.
Meanwhile Kennedy sat in the little cage and talked with the convicted man across the three-foot distance between cell and screen. I did not see him at that time, but Kennedy repeated afterward what passed, and it so impressed me that I will set it down as if I had been present.
Sanford Godwin was a tall, ashen-faced man, in the prison pallor of whose face was written the determination of despair, a man in whose blue eyes was a queer, half-insane light of hope. One knew that if it had not been for the little woman at the window at the top of the hill, the hope would probably long ago have faded. But this man knew she was always there, thinking, watching, eagerly planning in aid of any new scheme in the long fight for freedom.
“The alkaloid was present, that is certain,” he told Kennedy. “My wife has told you that. It was scientifically proved. There is no use in attacking that.”
Later on he remarked: “Perhaps you think it strange that one in the very shadow of the death chair”–the word stuck in his throat- -“can talk so impersonally of his own case. Sometimes I think it is not my case, but some one else’s. And then–that door.”
He shuddered and turned away from it. On one side was life, such as it was; on the other, instant death. No wonder he pleaded with Kennedy.
“Why, Walter,” exclaimed Craig, as we walked back to the warden’s office to telephone to town for a car to take us up to East Point, “whenever he looks out of that cage he sees it. He may close his eyes–and still see it. When he exercises, he sees it. Thinking by day and dreaming by night, it is always there. Think of the terrible hours that man must pass, knowing of the little woman eating her heart out. Is he really guilty? I must find out. If he is not, I never saw a greater tragedy than this slow, remorseless approach of death, in that daily, hourly shadow of the little green door.”
East Point was a queer old town on the upper Hudson, with a varying assortment of industries. Just outside, the old house of the Godwins stood on a bluff overlooking the majestic river. Kennedy had wanted to see it before any one suspected his mission, and a note from Mrs. Godwin to a friend had been sufficient.