PAGE 4
The Dead Alive
by
The door opened once more. A young lady quietly joined the party at the supper-table.
Was the young lady Naomi Colebrook? I looked at Ambrose, and saw the answer in his face. Naomi Colebrook at last!
A pretty girl, and, so far as I could judge by appearances, a good girl too. Describing her generally, I may say that she had a small head, well carried, and well set on her shoulders; bright gray eyes, that looked at you honestly, and meant what they looked; a trim, slight little figure–too slight for our English notions of beauty; a strong American accent; and (a rare thing in America) a pleasantly toned voice, which made the accent agreeable to English ears. Our first impressions of people are, in nine cases out of ten, the right impressions. I liked Naomi Colebrook at first sight; liked her pleasant smile; liked her hearty shake of the hand when we were presented to each other. “If I get on well with nobody else in this house,” I thought to myself, “I shall certainly get on well with you.”
For once in a way, I proved a true prophet. In the atmosphere of smoldering enmities at Morwick Farm, the pretty American girl and I remained firm and true friends from first to last. Ambrose made room for Naomi to sit between his brother and himself. She changed color for a moment, and looked at him, with a pretty, reluctant tenderness, as she took her chair. I strongly suspected the young farmer of squeezing her hand privately, under cover of the tablecloth.
The supper was not a merry one. The only cheerful conversation was the conversation across the table between Naomi and me.
For some incomprehensible reason, John Jago seemed to be ill at ease in the presence of his young countrywoman. He looked up at Naomi doubtingly from his plate, and looked down again slowly with a frown. When I addressed him, he answered constrainedly. Even when he spoke to Mr. Meadowcroft, he was still on his guard–on his guard against the two young men, as I fancied by the direction which his eyes took on these occasions. When we began our meal, I had noticed for the first time that Silas Meadowcroft’s left hand was strapped up with surgical plaster; and I now further observed that John Jago’s wandering brown eyes, furtively looking at everybody round the table in turn, looked with a curious, cynical scrutiny at the young man’s injured hand.
By way of making my first evening at the farm all the more embarrassing to me as a stranger, I discovered before long that the father and sons were talking indirectly at each other, through Mr. Jago and through me. When old Mr. Meadowcroft spoke disparagingly to his overlooker of some past mistake made in the cultivation of the arable land of the farm, old Mr. Meadowcroft’s eyes pointed the application of his hostile criticism straight in the direction of his two sons When the two sons seized a stray remark of mine about animals in general, and applied it satirically to the mismanagement of sheep and oxen in particular, they looked at John Jago, while they talked to me. On occasions of this sort–and they happened frequently–Naomi struck in resolutely at the right moment, and turned the talk to some harmless topic. Every time she took a prominent part in this way in keeping the peace, melancholy Miss Meadowcroft looked slowly round at her in stern and silent disparagement of her interference. A more dreary and more disunited family party I never sat at the table with. Envy, hatred, malice and uncharitableness are never so essentially detestable to my mind as when they are animated by a sense of propriety, and work under the surface. But for my interest in Naomi, and my other interest in the little love-looks which I now and then surprised passing between her and Ambrose, I should never have sat through that supper. I should certainly have taken refuge in my French novel and my own room.