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PAGE 7

The Dancing Girls
by [?]

Chug had grease to fight. He had learned how in his first days at the garage. His teacher had been old Rudie, a mechanic who had tinkered around automobiles since their kerosene days, and who knew more about them than their inventor. Soap and water alone were powerless against the grease and carbon and dust that ground themselves into Chug’s skin. First, he lathered himself with warm, soapy water. Then, while arms, neck, and face were still wet, he covered them with oil–preferably lubricating oil, medium. Finally he rubbed sawdust over all; great handfuls of it. The grease rolled out then, magically, leaving his skin smooth and white. Old Rudie, while advocating this process, made little use of it. He dispatched the whole grimy business by the simple method of washing in gasoline guaranteed to take the varnish off a car fender. It seemed to leave Rudie’s tough hide undevastated.

At twenty-four Chug Scaritt was an upstanding, level-headed, and successful young fellow who worked hard all day and found himself restless and almost irritable toward evening. He could stay home and read, or go back to the garage, though after eight things were very quiet. For amusement there were the pool shack, the cheap dances, the street corner, the Y.M.C.A. This last had proved a boon. The swimming pool, the gym, the reading room, had given Chug many happy, healthful hours. But, after all, there was something–

Chug didn’t know it was girls–girls you could talk to, and be with, and take around. But it was. After an hour in the pool, or around the reading table, or talking and smoking, he usually drifted out into the quiet street. He could go home. Or there was Wanda. If he went home he found himself snapping rather irritably at his mother, for no reason at all. Ashamed of doing it. Powerless, somehow, to stop.

He took to driving in the evening: long drives along the country roads, his cap pulled low over his eyes, the wind blowing fresh in his face. He used to cover mile on mile, sitting slumped low on his spine, his eyes on the road; the engine running sweet and true. Sometimes he took Wanda along, or one of the mill girls. But not often. They were disappointed if you didn’t drive with one arm around them. He liked being alone. It soothed him.

It was thus that he first met the Weld girl. The Weld girl was the plain daughter of the Widow Weld. The Widow Weld was a musical-comedy sort of widow in French-heeled, patent-leather slippers and girlish gowns. When you met her together with her daughter Elizabeth you were supposed to say, “Not mother and daughter! Surely not! Sisters, of course.” Elizabeth was twenty-four and not a success. At the golf-club dances on Saturday night she would sit, unsought, against the wall while her skittish mother tripped it with the doggish bachelors. Sometimes a man would cross the floor toward her and her heart would give a little leap, but he always asked the girl seated two chairs away. Elizabeth danced much better than her mother–much better than most girls, for that matter. But she was small, and dark, and rather shy, and wore thick glasses that disguised the fineness of her black-lashed gray eyes. Now and then her mother, flushed and laughing, would come up and say, “Is my little girl having a good time?” The Welds had no money, but they belonged to Chippewa’s fashionable set. There were those who lifted significant eyebrows at mention of the Widow Weld’s name, and it was common knowledge that no maid would stay with her for any length of time because of the scanty provender. The widow kowtowed shamelessly to the moneyed ones of Chippewa, flattering the women, flirting with the men. Elizabeth had no illusions about her mother, but she was stubbornly loyal to her. Her manner toward her kittenish parent was rather sternly maternal. But she was the honest sort that congenitally hates sham and pretence. She was often deliberately rude to the very people toward whom her mother was servile. Her strange friendship with Angie Hatton, the lovely and millioned, was the one thing in Elizabeth’s life of which her Machiavellian mother approved.