PAGE 6
The Curate Of Poltons
by
“What does she want?” I asked Dora, despairingly. “She can’t want to marry him.” I was referring to Trix Queenborough, not to Mrs. Wentworth.
“Good gracious, no!” answered Dora, irritably. “It’s simple jealousy. She won’t let the poor boy alone till he’s in love with her again. It’s a horrible shame!”
“Oh, well, he has great recuperative power,” said I.
“She’d better be careful, though. It’s a very dangerous game. How do you suppose Lord Newhaven likes it?”
Accident gave me that very day a hint how little Lord Newhaven liked it, and a glimpse of the risk Miss Trix was running. Entering the library suddenly, I heard Newhaven’s voice raised above his ordinary tones.
“I won’t stand it,” he was declaring. “I never know how she’ll treat me from one minute to the next.”
My entrance, of course, stopped the conversation very abruptly. Newhaven had come to a stand in the middle of the room, and Lady Queenborough sat on the sofa, a formidable frown on her brow. Withdrawing myself as rapidly as possible, I argued the probability of a severe lecture for Miss Trix, ending in a command to try her noble suitor’s patience no longer. I hope all this happened, for I, not seeing why Mrs. Wentworth should monopolize the grace of sympathy, took the liberty of extending mine to Newhaven. He was certainly in love with Trix, not with her money, and the treatment he underwent must have been as trying to his feelings as it was galling to his pride.
My sympathy was not premature, for Miss Trix’s fascinations, which were indubitably great, began to have their effect. The scene about the canoe was re-enacted, but with a different denouement. This time the promise was forgotten, and the widow forsaken. Then Mrs. Wentworth put on her armor. We had, in fact, reached this very absurd situation that these two ladies were contending for the favors of, or the domination over, such an obscure, poverty-stricken, hopelessly ineligible person as the curate of Poltons undoubtedly was. The position seemed to me then, and still seems, to indicate some remarkable qualities in that young man.
At last Newhaven made a move. At breakfast, on Wednesday morning, he announced that, reluctant as he should be to leave Poltons Park, he was due at his aunt’s place, in Kent, on Saturday evening, and must therefore make his arrangements to leave by noon on that day. The significance was apparent. Had he come down to breakfast with “Now or Never!” stamped in fiery letters across his brow, it would have been more obtrusive, indeed, but not a whit plainer. We all looked down at our plates, except Jack Ives. He flung one glance (I saw it out of the corner of my left eye) at Newhaven, another at Trix; then he remarked kindly–
“We shall be uncommonly sorry to lose you, Newhaven.”
Events began to happen now, and I will tell them as well as I am able, supplementing my own knowledge by what I learnt afterwards from Dora–she having learnt it from the actors in the scene. In spite of the solemn warning conveyed in Newhaven’s intimation, Trix, greatly daring, went off immediately after lunch for what she described as ‘a long ramble’ with Mr. Ives. There was, indeed, the excuse of an old woman at the end of the ramble, and Trix provided Jack with a small basket of comforts for the useful old body; but the ramble was, we felt, the thing, and I was much annoyed at not being able to accompany the walkers in the cloak of darkness or other invisible contrivance. The ramble consumed three hours–full measure. Indeed, it was half-past six before Trix alone, walked up the drive. Newhaven, a solitary figure, paced up and down the terrace fronting the drive. Trix came on, her head thrown back and a steady smile on her lips. She saw Newhaven: he stood looking at her for a moment with what she afterwards described as an indescribable smile on his face, but not, as Dora understood from her, by any means a pleasant one. Yet, if not pleasant, there is not the least doubt in the world that it was highly significant; for she cried out nervously, “Why are you looking at me like that? What’s the matter?”