PAGE 8
The Cruel Painter
by
So said Teufelsbuerst, as the reporter of the town talk. Lilith looked very pale and terrified; and it was perhaps owing to this that the painter brought no more tales home with him. There were plenty to bring, but he heard them all and said nothing. The fact was that the philosopher himself could not resist the infection of the fear that was literally raging in the city; and perhaps the reports that he himself had sold himself to the devil had sufficient response from his own evil conscience to add to the influence of the epidemic upon him. The whole place was infested with the presence of the dead Kuntz, till scarce a man or woman would dare to be alone. He strangled old men; insulted women; squeezed children to death; knocked out the brains of dogs against the ground; pulled up posts; turned milk into blood; nearly killed a worthy clergyman by breathing upon him the intolerable airs of the grave, cold and malignant and noisome; and, in short, filled the city with a perfect madness of fear, so that every report was believed without the smallest doubt or investigation.
Though Teufelsbuerst brought home no more of the town talk, the old servant was a faithful purveyor, and frequented the news-mart assiduously. Indeed she had some nightmare experiences of her own that she was proud to add to the stock of horrors which the city enjoyed with such a hearty community of goods. For those regions were not far removed from the birthplace and home of the vampire. The belief in vampires is the quintessential concentration and embodiment of all the passion of fear in Hungary and the adjacent regions. Nor, of all the other inventions of the human imagination, has there ever been one so perfect in crawling terror as this. Lilith and Karl were quite familiar with the popular ideas on the subject. It did not require to be explained to them, that a vampire was a body retaining a kind of animal life after the soul had departed. If any relation existed between it and the vanished ghost, it was only sufficient to make it restless in its grave. Possessed of vitality enough to keep it uncorrupted and pliant, its only instinct was a blind hunger for the sole food which could keep its awful life persistent–living human blood. Hence it, or, if not it, a sort of semi-material exhalation or essence of it, retaining its form and material relations, crept from its tomb, and went roaming about till it found some one asleep, towards whom it had an attraction, founded on old affection. It sucked the blood of this unhappy being, transferring so much of its life to itself as a vampire could assimilate. Death was the certain consequence. If suspicion conjectured aright, and they opened the proper grave, the body of the vampire would be found perfectly fresh and plump, sometimes indeed of rather florid complexion;–with grown hair, eyes half open, and the stains of recent blood about its greedy, leech-like lips. Nothing remained but to consume the corpse to ashes, upon which the vampire would show itself no more. But what added infinitely to the horror was the certainty that whoever died from the mouth of the vampire, wrinkled grandsire or delicate maiden, must in turn rise from the grave, and go forth a vampire, to suck the blood of the dearest left behind. This was the generation of the vampire brood. Lilith trembled at the very name of the creature. Karl was too much in love to be afraid of anything. Yet the evident fear of the unbelieving painter took a hold of his imagination; and, under the influence of the potions of which he still partook unwittingly, when he was not thinking about Lilith, he was thinking about the vampire.
Meantime, the condition of things in the painter’s household continued much the same for Wolkenlicht–work all day; no communication between the young people; the dinner and the wine; silent reading when work was done, with stolen glances many over the top of the book, glances that were never returned; the cold good-night; the locking of the door; the wakeful night and the drowsy morning. But at length a change came, and sooner than any of the party had expected. For, whether it was that the impatience of Teufelsbuerst had urged him to yet more dangerous experiments, or that the continuance of those he had been so long employing had overcome at length the vitality of Wolkenlicht–one afternoon, as he was sitting at his work, he suddenly dropped from his chair, and his master hurrying to him in some alarm, found him rigid and apparently lifeless. Lilith was not in the study when this took place. In justice to Teufelsbuerst, it must be confessed that he employed all the skill he was master of, which for beneficent purposes was not very great, to restore the youth; but without avail. At last, hearing the footsteps of Lilith, he desisted in some consternation; and that she might escape being shocked by the sight of a dead body where she had been accustomed to see a living one, he removed the lay figure from the couch, and laid Karl in its place, covering him with a black velvet pall. He was just in time. She started at seeing no one in Karl’s place and said–