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PAGE 6

The Cruel Painter
by [?]

A more desolate communication between souls than that which then passed between father and daughter could hardly be imagined. The father spoke of humanity and all its experiences in a tone of the bitterest scorn. He despised men, and himself amongst them; and rejoiced to think that the generations rose and vanished, brood after brood, as the crops of corn grew and disappeared. Lilith, who listened to it all unmoved, taking only an intellectual interest in the question, remarked that even the corn had more life than that; for, after its death, it rose again in the new crop. Whether she meant that the corn was therefore superior to man, forgetting that the superior can produce being without losing its own, or only advanced an objection to her father’s argument, Wolkenlicht could not tell. But Teufelsbuerst laughed like the sound of a saw, and said: “Follow out the analogy, my Lilith, and you will see that man is like the corn that springs again after it is buried; but unfortunately the only result we know of is a vampire.”

Wolkenlicht looked up, and saw a shudder pass through the frame, and over the pale thin face of the painter. This he could not account for. But Teufelsbuerst could have explained it, for there were strange whispers abroad, and they had reached his ear; and his philosophy was not quite enough for them. But the laugh with which Lilith met this frightful attempt at wit, grated dreadfully on Wolkenlicht’s feeling. With her, too, however, a reaction seemed to follow. For, turning round a moment after, and looking at the picture on which her father was working, the tears rose in her eyes, and she said: “Oh! father, how like my mother you have made me this time!” “Child!” retorted the painter with a cold fierceness, “you have no mother. That which is gone out is gone out. Put no name in my hearing on that which is not. Where no substance is, how can there be a name?”

Lilith rose and left the room. Wolkenlicht now understood that Lilith was a frozen bud, and could not blossom into a rose. But pure love lives by faith. It loves the vaguely beheld and unrealised ideal. It dares believe that the loved is not all that she ever seemed. It is in virtue of this that love loves on. And it was in virtue of this, that Wolkenlicht loved Lilith yet more after he discovered what a grave of misery her unbelief was digging for her within her own soul. For her sake he would bear anything–bear even with calmness the torments of his own love; he would stay on, hoping and hoping.–The text, that we know not what a day may bring forth, is just as true of good things as of evil things; and out of Time’s womb the facts must come.

But with the birth of this resolution to endure, his suffering abated; his face grew more calm; his love, no less earnest, was less imperious; and he did not look up so often from his work when Lilith was present. The master could see that his pupil was more at ease, and that he was making rapid progress in his art. This did not suit his designs, and he would betake himself to his further schemes.

For this purpose he proceeded first to simulate a friendship for Wolkenlicht, the manifestations of which he gradually increased, until, after a day or two, he asked him to drink wine with him in the evening. Karl readily agreed. The painter produced some of his best; but took care not to allow Lilith to taste it; for he had cunningly prepared and mingled with it a decoction of certain herbs and other ingredients, exercising specific actions upon the brain, and tending to the inordinate excitement of those portions of it which are principally under the rule of the imagination. By the reaction of the brain during the operation of these stimulants, the imagination is filled with suggestions and images. The nature of these is determined by the prevailing mood of the time. They are such as the imagination would produce of itself, but increased in number and intensity. Teufelsbuerst, without philosophising about it, called his preparation simply a love-philtre, a concoction well known by name, but the composition of which was the secret of only a few. Wolkenlicht had, of course, not the least suspicion of the treatment to which he was subjected.