PAGE 12
The Cruel Painter
by
When Karl had reached his room, and was dressing himself, the thought struck him that something might be made of the report of the extreme weight of the body of old Kuntz, to favour the continuance of the delusion of Teufelsbuerst, although he hardly knew yet to what use he could turn this delusion. He was convinced that he would have made no progress however long he might have remained in his house; and that he would have more chance of favour with Lilith if he were to meet her in any other circumstances whatever than those in which he invariably saw her–namely, surrounded by her father’s influences, and watched by her father’s cold blue eyes.
As soon as he was dressed, he crept down to the studio, which was now quiet enough, the storm being over, and the moon filling it with her steady shine. In the corner lay in all directions the fragments of the mould which his own body had formed and filled. The bag of plaster and the bucket of water which the painter had been using stood beside. Lottchen gathered all the pieces together, and then making his way to an outhouse where he had seen various odds and ends of rubbish lying, chose from the heap as many pieces of old iron and other metal as he could find. To these he added a few large stones from the garden. When he had got all into the studio, he locked the door, and proceeded to fit together the parts of the mould, filling up the hollow as he went on with the heaviest things he could get into it, and solidifying the whole by pouring in plaster; till, having at length completed it, and obliterated, as much as possible, the marks of joining, he left it to harden, with the conviction that now it would make a considerable impression on Teufelsbuerst’s imagination, as well as on his muscular sense. He then left everything else as nearly undisturbed as he could; and, knowing all the ways of the house, was soon in the street, without leaving any signs of his exit.
Karl soon found himself before the house in which his friend Hoellenrachen resided. Knowing his studious habits, he had hoped to see his light still burning, nor was he disappointed. He contrived to bring him to his window, and a moment after, the door was cautiously opened.
“Why, Lottchen, where do you come from?”
“From the grave, Heinrich, or next door to it.”
“Come in, and tell me all about it. We thought the old painter had made a model of you, and tortured you to death.”
“Perhaps you were not far wrong. But get me a horn of ale, for even a vampire is thirsty, you know.”
“A vampire!” exclaimed Heinrich, retreating a pace, and involuntarily putting himself upon his guard.
Karl laughed.
“My hand was warm, was it not, old fellow?” he said. “Vampires are cold, all but the blood.”
“What a fool I am!” rejoined Heinrich. “But you know we have been hearing such horrors lately that a fellow may be excused for shuddering a little when a pale-faced apparition tells him at two o’clock in the morning that he is a vampire, and thirsty, too.”
Karl told him the whole story; and the mental process of regarding it for the sake of telling it, revealed to him pretty clearly some of the treatment of which he had been unconscious at the time. Heinrich was quite sure that his suspicions were correct. And now the question was, what was to be done next?
“At all events,” said Heinrich, “we must keep you out of the way for some time. I will represent to my landlady that you are in hiding from enemies, and her heart will rule her tongue. She can let you have a garret-room, I know; and I will do as well as I can to bear you company. We shall have time then to invent some plan of operation.”